“Bitterness, principle of your determination, your mode of action, and understanding, is the one fixed point in your oscillation between disgust for the world and self-pity.”

“The deepest and most organic death is death in solitude, when even light becomes a principle of death. In such moments you will be severed from life, from love, smiles, friends and even from death. And you will ask yourself if there is anything besides the nothingness of the world and your own nothingness.”

“What right have you to pray for me? I need no intercessor, I shall manage alone. The prayers of a wretch I might accept, but no one else’s, not even a saint’s. I cannot bear your bothering about my salvation. If I apprehend salvation and flee it, your prayers are merely an indiscretion. Invest them elsewhere; in any case, we do not serve the same gods. If mine are impotent, there is every reason to believe yours are no less so. Even assuming they are as you imagine them, they would still lack the power to cure me of a horror older than my memory.”

“I think of so many people who are no more, and I pity them. Yet they are not so much to be pitied, for they have solved every problem, beginning with the problem of death.”

“A free man is one who has discerned the inanity of all points of view; a liberated man is one who has drawn the consequences of such discernment.”

“If just once you were depressed for no reason, you have been so all your life without knowing it.Becoming: an agony without an ending.The older I grow, the less I enjoy performing my little Hamlet. The desire to die was my one and only concern; to it I have sacrificed everything, even death. If History had a goal, how lamentable would be the fate of those of us who have accomplished nothing!On the frontiers of the self: ‘What I have suffered, what I am suffering, no one will ever know, not even I’. Events - tumours of time.Man secretes disaster.The secret of my adaptation to life? - I’ve changed despairs the way I’ve changed shirts. Each day is a Rubicon in which I aspire to be drowned.”

“This is how I recognize an authentic poet: by frequenting him, living a long time in the intimacy of his work, something changes in myself, not so much my inclinations or my tastes as my very blood, as if a subtle disease had been injected to alter its course, its density and nature. To live around a true poet is to feel your blood run thin, to dream a paradise of anemia, and to hear, in your veins, the rustle of tears.”