“If I used to ask myself, over a coffin: “What good did it do the occupant to be born?”, I now put the same question about anyone alive.”

Emil Cioran

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“I do not forgive myself for being born. It is as if, creeping into this world, I had profaned a mystery, betrayed some momentous pledge, committed a fault of nameless gravity. Yet in a less assured mood, birth seems a calamity I would be miserable not having known.”


“What right have you to pray for me? I need no intercessor, I shall manage alone. The prayers of a wretch I might accept, but no one else’s, not even a saint’s. I cannot bear your bothering about my salvation. If I apprehend salvation and flee it, your prayers are merely an indiscretion. Invest them elsewhere; in any case, we do not serve the same gods. If mine are impotent, there is every reason to believe yours are no less so. Even assuming they are as you imagine them, they would still lack the power to cure me of a horror older than my memory.”


“As far as I am concerned, I resign from humanity. I no longer want to be, nor can still be, a man. What should I do? Work for a social and political system, make a girl miserable? Hunt for weaknesses in philosophical systems, fight for moral and esthetic ideals? It’s all too little. I renounce my humanity even though I may find myself alone. But am I not already alone in this world from which I no longer expect anything?”


“Unlike Job, I have not cursed the day I was born; all the other days, on the contrary, I have covered with my anathemas. …”


“I was walking late one night along a tree-lined path; a chestnut fell at my feet. The noise it made as it burst, the resonance it provoked in me, and an upheaval out of all proportion to this insignificant event thrust me into miracle, into the rapture of the definitive, as if there were no more questions—only answers. I was drunk on a thousand unexpected discoveries, none of which I could make use of. … This is how I nearly reached the Supreme. But instead I went on with my walk.”


“While they were preparing the hemlock, Socrates was learning how to play a new tune on the flute. “What will be the use of that?” he was asked. “To know this tune before dying.” If I dare repeat this reply long since trivialized by the handbooks, it is because it seems to me the sole serious justification of any desire to know, whether exercised on the brink of death or at any other moment of existence.”