“I read it over and over again. I turned it over, turned it back, smoothed it out on my pillow and then read it some more. It was written on a piece of torn-out spiral notebook paper. It had seams like it had been folded and unfolded a few times. I looked into the manila envelope again to see if there was anything else. There wasn't.”

“He had written in cheap ballpoint ink that had blotted the five pages in many places. His handwriting was a looping but legible scrawl, and ha must have been bearing down hard, because the words were actually engraved into the cheap notebook pages; if I'd closed my eyes and run my fingertips over the backs of those torn-out sheets, it would have been like reading Braille”

“I went home that day, and I wrote your name over and over on a piece of paper. I must have written it a hundred times. My mom found the paper a few days later in my sock drawer. She wanted to know why I'd done that..."I wanted to know why more than anything I'd ever remembered wanting, but a part of me hoped he'd chicken out."I told her I liked the way your name made my heart jump.”

“If I had my life to live over again, I would have made a rule to read some poetry and listen to some music at least once every week.”

“She had discovered with surprise and pleasure that as she turned each page, the book was written, as if for the first time, all over again.”

“He often said he had to be a writer because he wasn't good at anything else. He was not good at being an employee. Back in the mid-1950's, he was employed for Sports Illustrated, briefly. He reported back to work, was asked to write a short piece on a racehorse that jumped over a fence and tried to run away. Kurt stared at the blank piece of paper all morning and then typed, "The horse jumped over the fucking fence," and walked out, self-employed again.”