“The fire alarm went off. Fire engines came racing; we all rushed out on the gravel drive, everyone thinking it was us. In fact, one of the elderly residents of Saltram had left a pan on the oven in her flat. Apparently this happens all the time. The tenant in question is appearing as an extra -- playing one of the cooks.”

“We've hired the calmest babies in the world to play the hysterical Thomas. One did finally start to cry but stopped every time Chris [Newman (assistant director)] yelled 'Action'. ... Babies smiled all afternoon. Buddhist babies. They didn't cry once. We, however, were all in tears by 5 p.m.”

“Can he love her? Can the soul really be satisfied with such polite affections? To love is to burn - to be on fire, like Juliet or Guinevere or Eloise...”

“Up 5.15 a.m. thinking, packpackpack. I appear to have accumulated more things. How did this happen? I haven't shopped. Think my bath oils have bred.”

“Very nice lady served us drinks in hotel and was followed in by a cat. We all crooned at it. Alan [Rickman] to cat (very low and meaning it): 'Fuck off.' The nice lady didn't turn a hair. The cat looked slightly embarrassed but stayed.”

“[Over breakfast] We discussed the 'novelisation' question. This is where the studio pay someone to novelise my script and sell it as Sense and Sensibility. I've said if this happens I will hang myself. Revolting notion. Beyond revolting.Lindsay [Doran] said that the executive she had discussed it with had said 'as a human being I agree with you -- but ...' I laughed until my porridge was cool enough to swallow.”

“(On period costume posture coaching:)"We all stand about like parboiled spaghetti being straightened out.”