“The question is: why can’t parking lots be modest paradises?”

“The paper burns, but the words fly free.”

“Why?' He kept asking in his sweetly belling voice, its tone as pure as marbles swirled around a crystal pail. Why him wun up the tree? Why him nest up theah? Why him gadder nuts? Why? Why? Why? And Billy answering every question to the best of his ability, as if anything less would disrespect the deep and maybe even divine force that drove his little nephew toward universal knowledge.”

“Tell it, Fanny. About the crowds, streets, buildings, lights, about the whirligig of loneliness, about the humpty-dumpty clutter of longings. And then explain about the summer parks and the white snow and the moon window in the sky. Throw in a poignantly ironical dissertation on life, on its uncharted aimlessness, and speak like Sherwood Anderson about the desire that stir in the heart. Speak like Remy de Gourmont and Dostoevsky and Stevie Crane, like Schopenhauer and Dreiser and Isaiah; speak like all the great questioners whose tongues have wagged and whose hearts have burned with questions. He will listen bewilderedly and, perhaps, only perhaps, understand for a moment the dumb pathos of your eyes.”

“Not that she means anything by it, he knows. This is simply her lifelong habit of moderation at work, her need to tamp everything down to the routine, the modest, the tepid everyday. He understands the whole concept of boundaries, but there’s a point where this mania for normalizing turns toxic.”

“Latin America taught me a lot. It's a market leader in kidnap.”

“Life is like arriving late for a movie, having to figure out what was going on without bothering everybody with a lot of questions, and then being unexpectedly called away before you find out how it ends.”