“No matter how innocent the story being relayed to me is, I can twist it into something pretty damn frightening. I’ve learned the real trick is not sharing these versions with those relaying the story. It tends to make people avoid me.”

“Hard as nails Stacy Killian was one like one of those Tootsie Roll Pops - hard shell, soft, chewy center. Once a guy knew the center could be chewed, that's what they did. Chewed you up and spit you out. Or swallowed you, bite by bite. Goodbye respect. Goodbye self-esteem.”

“The underlying notion of a world where the sane is insane”

“Reed gazed at him, unmoved, 'You were so worried about your precious reputations. About the truth ruining you. You didn't see that you'd already been ruined and that the truth was the only thing that could have redeemed you.'" (Sheriff Dan Reed speaking to his Father. Blood Vines, p.355)”

“Being myself is the one thing that people would want to see out of me, they don't want to see me being the fake person that the world wants me to be, all they want to see is the real me, the real person that is inside of me.”

“It doesn't matter what story we're telling, we're telling the story of family.”

“It took me years to learn to sit at my desk for more than two minutes at a time, to put up with the solitude and the terror of failure, and the godawful silence and the white paper. And now that I can take it . . . now that I can finally do it . . . I'm really raring to go. I was in my study writing. I was learning how to go down into myself and salvage bits and pieces of the past. I was learning how to sneak up on the unconscious and how to catch my seemingly random thoughts and fantasies. By closing me out of his world, Bennett had opened all sorts of worlds inside my own head. Gradually I began to realize that none of the subjects I wrote poems about engaged my deepest feelings, that there was a great chasm between what I cared about and what I wrote about. Why? What was I afraid of? Myself, most of all, it seemed."Freedom is an illusion," Bennett would have said and, in a way, I too would have agreed. Sanity, moderation, hard work, stability . . . I believed in them too. But what was that other voice inside of me which kept urging me on toward zipless fucks, and speeding cars and endless wet kisses and guts full of danger? What was that other voice which kept calling me coward! and egging me on to burn my bridges, to swallow the poison in one gulp instead of drop by drop, to go down into the bottom of my fear and see if I could pull myself up? Was it a voice? Or was it a thump? Something even more primitive than speech. A kind of pounding in my gut which I had nicknamed my "hunger-thump." It was as if my stomach thought of itself as a heart. And no matter how I filled it—with men, with books, with food—it refused to be still. Unfillable—that's what I was. Nymphomania of the brain. Starvation of the heart.”