“As the Great Creatrix, the feminine is no vessel and passage for an alien, masculine Other that condescends towards her, enters into her, and favors her with the seed of living. Life originates in her and issues from her, and the light that appears projected on the night sky, which she is herself, is rooted in her depths. For she is not only the protomantis, the first and great Prophetess, but also she who gives birth to the Spirit-Light, which, like consciousness and the illumination that arises in transformation, is rooted in her creative efficacy. She is the creative Earth, which not only brings forth and swallows life, but as that which transforms also lets the dead thing be resurrected and leads the lower to the higher. All developments and transformations that lead from the simple and insignificant through all gradations of life to the complicated and intricately differentiated fall under her sovereignty. This matriarchal world is geocentric; the stars and signs of the zodiac are the heavenly girdle of the Earth Goddess and are arranged around her as the true center around which everything revolves.”

“It seemed to me an error in reasoning for a man to isolate a woman he loves from all the circumstances in which he met her and in which she lives, to try, with dogged inner concentration, to purify her of everything that is not her self, which is to say also of the story that they lived through together and that gives their ove its shape.After all, what I love in a woman is not what she is in and for herself, but the side of herself she turns toward me, what she is for me. I love her as a character in our common love story.”

“And Dorothea..she had no dreams of being praised above other women.Feeling that there was always something better which she might have done if she had only been better and known better, her full nature spent itself in deeds which left no great name on the earth, but the effect of her being on those around her was incalculable. For the growing good of the world is partly dependent on unhistoric acts and on all those Dorotheas who life faithfully their hidden lives and rest in unvisited tombs. Middlemarch”

“She was breathing deeply, she forgot the cold, the weight of beings, the insane or static life, the long anguish of living or dying. After so many years running from fear, fleeing crazily, uselessly, she was finally coming to a halt. At the same time she seemed to be recovering her roots, and the sap rose anew in her body, which was no longer trembling. Pressing her whole belly against the parapet, leaning toward the wheeling sky, she was only waiting for her pounding heart to settle down, and for the silence to form in her. The last constellations of stars fell in bunches a little lower on the horizon of the desert, and stood motionless. Then, with an unbearable sweetness, the waters of the night began to fill her, submerging the cold, rising gradually to the center of her being, and overflowing wave upon wave to her moaning mouth. A moment later, the whole sky stretched out above her as she lay with her back against the cold earth.”

“Tessa was convinced that it was a lie, and also that everything she had done in her life, telling herself that it was for the best, had been no more than blind selfishness, generating confusion and mess all around. But who could bear to know which stars were already dead, she thought, blinking up at the night sky; could anybody stand to know they all were?”

“In her dream each of the people assembled around her looked like several others, whom she recognized, only they weren't gradually transformed from one into the other but each of them seemed to be inside the others simultaneously and one of them shone through another. And something else was inside them as well, something unexplainable which wasn't within any of them, whose sum total they appeared to be, and this was what fascinated her above all.”