“It was as if his song was one voice, calling out into the darkness until it was answered by another, harmonizing with its own unique voice and emotion to create something even more beautiful than the sum of its parts.”

“Then came "The Song of Darkness," the last of the three songs, and the one most filled with longing and majesty. The soul of Ember was in this song. Its tremendous chords held all the sorrow and all the strength of the people of the city. The song reached its climax: "Darkness like an endless night," sang the hundreds of voices, so powerfully the air seemed to shiver. And at that moment, the lights once more went out. The voices faltered, but only for an instant. Then they rose again in the darkness, stronger even than before. Lina sang, too. She stood up and sang with all her might into the deep, solid blackness.”

“Each soul has its own note to sing in the divine chorus and no voice is more important than another. (94)”

“His hand took hold of hers, and as she said something low in his ear he turned toward her with a rush of emotion. I think that voice held him most, with its fluctuating, feverish warmth, because it couldn’t be over-dreamed —that voice was a deathless song.”

“It's a heady aphrodisiac being exposed to his unique voice when he adopts that tone. His voice reverbs on a bunch of notes simultaneously. It's the first thing you notice about Ryan, his voice sounds like an orchestra playing a symphony composed by angels. It's most distracting until you grow immune to it, and now I'm back to completely infected with the Ryan voice virus.”

“...to form something greater than the sum of its parts.”