“The sign outside this tent is accompanied by a small box full of smooth black stones. The text instructs you to take one with you as you enter. Inside, the tent is dark, the ceiling covered with open black umbrellas, the curving handles hanging down like icicles. In the center of the room there is a pool. A pond enclosed within a black stone wall that is surrounded by white gravel. The air carries the salty tinge of the ocean. You walk over to the edge to look inside. The gravel crunches beneath your feet. It is shallow, but it is glowing. A shimmering, shifting light cascades up through the surface of the water. A soft radiance, enough to illuminate the pool and the stones that sit at the bottom. Hundreds of stones, each identical to the one you hold in your hand. The light beneath filters through the spaces between the stones. Reflections ripple around the room, making it appear as though the entire tent is underwater. You sit on the wall, turning your black stone over and over in your fingers. The stillness of the tent becomes a quiet melancholy. Memories begin to creep forward from hidden corners of your mind. Passing disappointments. Lost chances and lost causes. Heartbreaks and pain and desolate, horrible loneliness. Sorrows you thought long forgotten mingle with still-fresh wounds. The stone feels heavier in your hand. When you drop it in the pool to join the rest of the stones, you feel lighter. As though you have released something more than a smooth polished piece of rock.”

“Memories begin to creep forward from hidden corners of your mind. Passing disappointments. Lost chances and lost causes. Heartbreaks and pain and desolate, horrible loneliness. Sorrows you thought long forgotten mingle with still-fresh wounds.”

“Before you leave, the fortune teller reminds you that the future is never set in stone.”

“...water laughing softly down a black stone wall.”

“Which tent is your favourite?" he asks."The Ice Garden," Celia answers, without even pausing to consider."Why is that?" Marco asks."Because of the way it feels," she says. "It's like walking into a dream. As though it is someplace else entirely and not simply another tent...”

“You can say anything with a Post-It.I’m not entirely sure why that is.Maybe the friendliness of the squares makes it easier. A square is nicely compact and less intimidating than a full page.And they come in cheerful colors. Non-white paper is kind of inherently festive.Or maybe paper that sticks feels more important than paper that can blow away.(Though you can move them, if you need to put them somewhere else.)They might not be as lasting as words carved in stone, but Post-It thoughts will stay.For awhile, at least.”

“Take these," said the old man, holding out a white stone and a black stone that had been embedded at the center of the breastplate. "They are called Urim and Thummim. The black signifies 'yes,' and the white 'no.' When you are unable to read the omens, they will help you to do so. Always ask an objective question.”