“I loved to take her hair down and she sat on the bed and kept very still, except suddenly she would dip down to kiss me while I was doing it, and I would take out the pins and lay them on the sheet and it would be loose and I would watch her while she kept very still and then take out the last two pins and it would all come down and she would drop her head and we would both be inside of it, and it was the feeling of inside a tent or behind a falls.”

“If I were in a different body, this would be the time I would lean down and kiss her. If I were in a different body, that kiss could transform the night from off to on. If I were in a different body, she would see me inside. She would see what she wanted to see.But now it's awkward.”

“And still, what a risk he'd taken. The woman was like an amateur car bomb: you never knew when she would explode or who she would take down with her when she did.”

“She kept walking. The very small, brave part of her brain knew that this would be her one chance. If she turned around, she would lose it.”

“Her makeup artist, Allan Snyder, recalled applying her makeup in the morning while she was still flat on her back in bed. “There was no other way,” he said. “It would take her so long to get up in the morning, we had to start with the makeup before she was out of bed.”

“I sat thinking. How it was she who'd mentioned love first. How she seemed to be waiting, the door still between us, for me to act. And I imagined that if I reached for her I would find her where she lay waiting in the water, and my fingers would glide over her bare wet skin until every inch of her, every crook and hollow, would become mine. I would vouch for her with my life.”