“Organizations for writers palliate the writer's loneliness, but I doubt if they improve his writing.... For he does his work alone and if he is a good enough writer he must face eternity, or the lack of it, each day.”

“Writing, at its best, is a lonely life. Organizations for writers palliate the writer's loneliness but I doubt if they improve his writing. He grows in public stature as he sheds his loneliness and often his work deteriorates. For he does his work alone and if he is a good enough writer he must face eternity, or the lack of it, each day.”

“One ought not to fall in love with someone by way of their writing. One must be especially careful if the writing is good, for then one assumes the writer is good, funny, clever, profound, sensitive, smart, wise, loving, and true. It is unfair to the writer and dangerous to the reader to hold the writer to the standards of his writing, for in his writing, the writer is his best self; in person, he is a person, and we all know what that means.”

“Honestly,” he says, “I judge writers on how they write queries. If you’re a good writer, you’re a good writer.” And if not, then not.”

“The life of a writer is absolute hell compared to the life of a businessman. The writer has to force himself to work He has to make his own hours and if he doesn't go to his desk at all there is nobody to scold him...A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it.”

“The writer walks out of his workroom in a daze. He wants a drink. He needs it. It happens to be a fact that nearly every writer of fiction in the world drinks more whisky than is good for him. He does it to give himself faith hope and courage. A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul and that I am sure is why he does it.”