“Writing is too goddamned hard for me to think about a soul in teh world ... I don't think about a soul, but just try to get those goddamned characters to act right.”

“We've only been living in these ghettos for seventy-five years or so, but the other three hundred years -- I think this is worth writing about. I think we've made tremendous sacrifices, we've shown tremendous strength. In the ghetto you see a lot of frustration; you see very little strength.”

“Irene and my aunt want from me what Miss Emma wants from Jefferson,' I said. 'I don't know if Miss Emma ever had anybody in her past that she could be proud of. Possibly - maybe not. But she wants that now, and she wants it from him. Irene and my aunt want it from me. Miss Emma knows that the state of Louisiana is about to take his life, but before that happens she wants something to remember him by. Irene and my aunt know that one day I will leave them, but they are not about to let me go without a fight. It's the same thing, the very same thing. Miss Emma needs a memory. Do you want she told me when I sat on the bed? That Reverend Ambrose and I should get along, and together - together - we should try and reach Jefferson. Why not the soul? No, she wants memories, memories of him standing like a man.”

“I tried to decide just how I should respond to them. Whether I should act like the teacher that I was, or like the nigger that I was supposed to be.”

“I don't care what a man is. I mean, a great artist is like a great doctor. I don't care how racist he is. If he can show me how to operate on a heart so that I can cure a brother, or cure someone else, I don't give a damn what the man thinks; he has taught me something. And that is valuable to me. And that is valuable to others and man as a whole. ”

“...my heart may have been in it but my soul was not.”

“I like the sound of people's voices, and I think what a man says can very well tell what he's thinking, whether he's lying or not.”