“A basic theme for the anarch is how man, left to his own devices, can defy superior forces – whether state, society, or the elements – by making use of their rules without submitting to them.‘It is strange,’ Sir William Parry wrote when describing the igloos on Winter Island, ‘it is strange to think that all these measure are taken against the cold – and in houses of ice.”

“Dalin must have whiffed the anarch in me, a man with no ties to state or society. Still, he was unable to sense an autonomy that puts up with these forces as objective facts but without recognizing them. What he lacked was a grounding in history.Opposition is collaboration; this was something from which Dalin, without realizing it, could not stay free. Basically, he damaged order less than he confirmed it. The emergence of the anarchic nihilist is like a goad that convinces society of its unity.The anarch, in contrast, not only recognizes society a priori as imperfect, he actually acknowledges it with that limitation. He is more or less repulsed by state and society, yet there are times and places in which the invisible harmony shimmers through the visible harmony. This is obviously chiefly in the work of art. In that case, one serves joyfully.But the anarchic nihilist thinks the exact opposite. The Temple of Artemis, to cite an example, would inspire him to commit arson. The anarch, however, would have no qualms about entering the temple in order to meditate and to participate with an offering. This is possible in any temple worthy of the name.”

“The anarch knows the rules. He has studied them as a historian and goes along with them as a contemporary. Wherever possible, he plays his own game within their framework; this makes the fewest waves.”

“The anarch differs from the anarchist in that he has a very pronounced sense of the rules. Insofar as and to the extent that he observes them, he feels exempt from thinking.This is consistent with normal behavior: everyone who boards a train rolls over bridges and through tunnels that engineers have devised for him and on which a hundred thousand hands have labored. This does not darken the passenger’s mood; settling in comfortably, he buries himself in his newspaper, has breakfast, or thinks about his business. Likewise, the anarch – except that he always remains aware of that relationship, never losing sight of his main theme, freedom, that which also flies outside, past hill and dale. He can get away at any time, not just from the train, but also from any demand made on him by state, society, or church, and also from existence.”

“The anarch's study of the history of the caesars has more of a theoretical significance for him - it offers a sampling of how far rulers can go. In practice, self-discipline is the only kind of rule that suits the anarch. He, too, can kill anyone (this is deeply immured in the crypt of his consciousness) and, above all, extinguish himself if he finds himself inadequate.”

“I assume that in great men whose names I dare not mention, the anarchic element was very powerful. You see, when fundamental changes are to occur in law, custom, and society, they presuppose a great distancing from established principles. And the anarch, should he take any action, is capable of working this lever.”

“The forest fleer has been expelled from society, the anarch has expelled society from himself. He is and remains his own master in all circumstances. When he decides to flee to the forest, his decision is less an issue of justice and conscience for him than a traffic accident. He changes camouflage; of course, his alien status is more obvious in the forest flight, thereby making it the weaker form, though perhaps indispensable.”