“A critical attitude, like activity, is one of the fundamental characteristics of our time. Both are interdependent. If the critical attitude should dwindle, there would be more peace and less intelligence, to the benefit of the essential. Neither criticism nor activity, however, can steer the course in such a direction - this means that higher forces are involved.”
“Although I am an anarch, I am not anti-authoritarian. Quite the opposite: I need authority, although I do not believe in it. My critical faculties are sharpened by the absence of the credibility that I ask for. As a historian, I know what can be offered.”
“I am an anarch in space, a metahistorian in time. Hence I am committed to neither the political present nor tradition; I am blank and also open and potent in any direction. Dear old Dad, in contrast, still pours his wine into the same decaying old wineskins, he still believes in a constitution when nothing and no one constitutes anything.”
“At times I see them as if I were walking through the streets of Pompeii before the eruption of Vesuvius. This is one of the historian's delights and, even more, his sorrow. If we see someone doing something for the last time, even just eating a piece of bread, this activity becomes wondrously profound. We participate in the transmutation of the ephemeral into the sacramental. We have inklings of eras during which such a sight was an everyday occurrence.”
“Dalin must have whiffed the anarch in me, a man with no ties to state or society. Still, he was unable to sense an autonomy that puts up with these forces as objective facts but without recognizing them. What he lacked was a grounding in history.Opposition is collaboration; this was something from which Dalin, without realizing it, could not stay free. Basically, he damaged order less than he confirmed it. The emergence of the anarchic nihilist is like a goad that convinces society of its unity.The anarch, in contrast, not only recognizes society a priori as imperfect, he actually acknowledges it with that limitation. He is more or less repulsed by state and society, yet there are times and places in which the invisible harmony shimmers through the visible harmony. This is obviously chiefly in the work of art. In that case, one serves joyfully.But the anarchic nihilist thinks the exact opposite. The Temple of Artemis, to cite an example, would inspire him to commit arson. The anarch, however, would have no qualms about entering the temple in order to meditate and to participate with an offering. This is possible in any temple worthy of the name.”
“Really, doesn´t everything make sense? There are, of course, things from which we more or less recover, although some of them are too harsh even for saints. But that is no reason to accuse God. Even if there are reasons to doubt him, the fact that he did not arrange the world like a well-ordered parlor is not one of them. It speaks rather in his favor. This used to be much better understood.”
“When we come under the spell of the deeper domain of technology, its economic character and even its power aspect fascinate us less than its playful side. Then we realize we that we are involved in a play, a dance of the spirit, which cannot be grasped by calculation. What is ultimately left for science is intuition alone - a call of destiny.This playful feature manifests itself more clearly in small things than in the gigantic works of our world. The crude observer can only be impressed by large quantities - chiefly when they are in motion - and yet there are as many organs in a fly as in a leviathan.”