“Law and custom are becoming the subjects of a new field of learning. The anarch endeavors to judge them ethnographically, historically, and also – I will probably come back to this – morally. The State will be generally satisfied with him; it will scarcely notice him In this respect he bears a certain resemblance to the criminal – say, the master spy – whose gifts are concealed behind a run-of-the-mill occupation.”

“I begin with the respect that the anarch shows towards the rules. Respectare as an intensive of respicere means: ‘to look back, to think over, to take into account.’ These are traffic rules. The anarchist resembles a pedestrian who refuses to acknowledge them and is promptly run down. Even a passport check is disastrous for him. ‘I never saw a cheerful end,’ as far back as I can look into history. In contrast, I would assume that men who were blessed with happiness – Sulla, for example – were anarchs in disguise.”

“I assume that in great men whose names I dare not mention, the anarchic element was very powerful. You see, when fundamental changes are to occur in law, custom, and society, they presuppose a great distancing from established principles. And the anarch, should he take any action, is capable of working this lever.”

“The (capital punishment) controversy passes the anarch by. For him, the linking of death and punishment is absurd. In this respect, he is closer to the wrongdoer than to the judge, for the high-ranking culprit who is condemned to death is not prepared to acknowledge his sentence as atonement; rather, he sees his guilt in his own inadequacy. Thus, he recognizes himself not as a moral but as a tragic person.”

“The partisan wants to change the law, the criminal break it; the anarch wants neither. He is not for or against the law. While not acknowledging the law, he does try to recognize it like the laws of nature, and he adjusts accordingly.”

“When society involves the anarch in a conflict which in which he does not participate inwardly, it challenges him to launch an opposition. He will try to turn the lever with which society moves him. Society is then at his disposal, say, as a stage for grand spectacles that are devised for him. Everything changes; the fetter becomes fascinating, danger an adventure, a suspenseful task.”

“As an anarch, who acknowledges neither law nor custom, I owe it to myself to get at the very heart of things. I then probe them in terms of their contradictions, like image and mirror image. Either is imperfect – by seeking to unite them, which I practice every morning, I manage to catch a corner of reality.”