“It's kind of like this," Decker said: "You wake up in the middle of the night and you're dying for a glass of milk. So you stumble out of bed, stub your toe in the darkness, scream with pain, and limp your way to the refrigerator. You open it up and the light is brilliant. You're saved. Then you fold back the paper container, open up the milk, take a deep breath, and put it to your lips. Only --- yhrch! --- the milk is spoiled. Sure, you're bummed. You fold the thing close and put it back in the fridge. It's dark again. But as you're making your way to your lonely old bed, you think to yourself, Wait a minute, maybe that milk wasn't so bad. And I am still thirsty? So you do an about-face and go back to the fridge. The light warms you up again. You take a sip and yup, it's still spoiled. That, to me, is the fitting metaphor for most every relationship I've ever been in.”

“I don't know why it is that one kind of dark can be so different from another. Real dark is thicker and quieter, it fills up the space between your jacket and your heart. It gets in your eyes. When I have to be out late at night, it's not knives and kicks I'm afraid of, though there are plenty of those behind walls and hedges. I'm afraid of the Dark. You, who walk so cheerfully, whistling your way, stand still for five minutes. Stand still in the Dark in a field or down a track. It's then you know you're there on sufferance. The Dark only lets you take one step at a time. Step and the Dark closes round your back. In front, there is no space for you until you take it. Darkness is absolute. Walking in the Dark is like swimming underwater except you can't come up for air.”

“loneliness is a strange sort of thing. it creeps up on you, quiet and still, sits by your side in the dark, strokes your hair as you sleep. it wraps itself around your bones, squeezing so tight you almost can't breathe. it leaves lies in your heart, lies next to you at night, leaches the light out from every corner. its a constant companion, clasping your hand only to yank you down when you're struggling to stand up.”

“Why does one feel so different at night? Why is it so exciting to be awake when everybody else is asleep? Late—it is very late! And yet every moment you feel more and more wakeful, as though you were slowly, almost with every breath, waking up into a new, wonderful, far more thrilling and exciting world than the daylight one. And what is this queer sensation that you’re a conspirator? Lightly, stealthily you move about your room. You take something off the dressing-table and put it down again without a sound. And everything, even the bedpost, knows you, responds, shares your secret…You're not very fond of your room by day. You never think about it. You're in and out, the door opens and slams, the cupboard creaks. You sit down on the side of your bed, change your shoes and dash out again. A dive down to the glass, two pins in your hair, powder your nose and off again. But now–it's suddenly dear to you. It's a darling little funny room. It's yours. Oh, what a joy it is to own things! Mine–my own!”

“Gintoki: Listen up! Let’s say you drink too much strawberry milk, and have to use the bathroom in the middle of the night, but it’s cold outside your bed. You don’t want to get up, but the urge to urinate is just too strong! You make up your mind to go! You run to the bathroom, stand in front of the toilet, and let loose! You think that all your life has led to this moment! But then you realize. It isn’t the bathroom! You’re still in bed! That feeling of lukewarm wetness spreads like wildfire! But you don’t stop! You can’t stop! That’s what I’m talking about! That’s the truth of the strawberry milk! Do you get it?”

“Be a child again. Flirt. Giggle. Dip your cookies in your milk. Take a nap. Say you're sorry if you hurt someone. Chase a butterfly. Be a child again.”