“I would next like to work in anthropology; for here, if I may say so, I believe I have much to contribute-indeed, I believe I am on the verge of substantiating significant advances both theoretical and practical; yes, my inquisitors, I assure you this is true; for I have established, on my own, as an unaffiliated scholar, no less than a new definition of Man- yes, him- one that is easily more rigorous than any heretofore proposed; forget opposable thumbs, disregard use of tools,lay down language capacity or abstract reasoning-those are clearly insufficient; my definition easily surpasses these provisional flouncings in accuracy, comprehensiveness, and elegance; and it is this: man is the animal who pisses where he shouldn't;”

“I hear his heartbeats as my own, I feel his urgency as my own, our covalent union making of us both a new, charged, unknown substance; so too my skin, my liquidy skin, is both our separation and our merger, it is our shared, evanescent frontier; yet when he kisses the valley of my belly so long and so shiver-warm I realize that I am also beyond his skin's extremity, I am past the barrier of his skin, I am also living within him, for the juncture is no longer clear: utterly, entirely, I feel his response to me, I feel his churning when I surge; and it is sublime circuitry, this overlap, this confusion, giving me new contours, new periphery, expand­ing me into added dimensions,...”

“...and I was thinking of what it would be like to have such a wound, to lift up the bottom of my shirt at school and have bandages to show, white brushstrokes on belly, when a horrendous force Huhhh catapulted me forward and my neck whipped back and I crumbled down to the pavement and my entire face began to cry;”

“in fact, while I was sitting there, listening to all the voices painting the quiet living room, the situation reminded me, somewhat, of a movie I once saw; it was called Rashomon, and at the end of it, for some reason, I cried; I remember that I didn't want the movie to end, to resolve itself in any way at all; I wanted the movie just to keep going, to keep coming up with more versions of its story, to keep producing more characters so they could add their takes on the tale; so I was really upset when the film felt the need to come to a conclusion and the lights came up; I remember walking home holding my fist to my mouth, to keep my crying from lathering out;”

“or is that too straightforward a statement, have I been insuffi­ciently artful in encoding my sentiments...in camouflaging them for esthetic effect. well, too fucking bad...my life has convinced me of few things, but the absoluteness of the negative is one of them... light bends, it diffracts, it scatters, but darkness fucking endures... it is what remains when the strayed-in rays and scintillas have long disappeared... it is the fundament, the ground... and I am one who can tell you this: behold my black body..”

“...when I read to her, her quietness, her peacefulness, was what I sought to hear, and it echoed in me as if in an expanding cavern, and often left me trembling with love; and so, then and there, after taking a final gulp of my decaf, I decided to indulge in even more self-pampering: I lifted my legs down from the chair, and, with lightness and celerity, stole upstairs...”

“the figures are shadow-swept, various, self-involved, and as turbulent as waves, as standing waves ...; and as I look at them, as I curl more tightly into shin-warmth on my preferred bench, I wonder which of these figures, too, are runaways, which of these scudding clumps are the moving forms of runaways ...but runaways whom I don't recognize, whose rightfulness I don't acknowledge: which of these figures am I denying ...; because it would take, I am sure, only a glance, only one shared eye-shudder, for all this to end, for their circumstances suddenly to reverse; it would only take one glance upon them...and one glance from them...; this, then, would be interpenetration, genuine interpenetration, a real refutation of figure and ground...;”