“That was the change in her from ten years ago; that, indeed, was her reward, this haunting, magical sadness which spoke straight to the heart and struck silence; it was the completion of her beauty.”

“...she had regained what I thought she had lost forever, the magical sadness which had drawn me to her, the thwarted look that had seemed to say, "Surely I was made for some other purpose than this?”

“I knew what she meant, and in that moment felt as though I had shaken off some of the dust and grit of ten dry years; then and always, however she spoke to me, in half sentences, single words, stock phrases of contemporary jargon, in scarcely perceptible movements of eyes or lips or hands, however inexpressible her thought, however quick and far it had glanced from the matter in hand, however deep it had plunged, as it often did, straight from the surface to the depths, I knew; even that day when I still stood on the extreme verge of love, I knew what she meant.”

“Oxford, in those days, was still a city of aquatint. In her spacious and quiet streets men walked and spoke as they had done in Newman's day; her autumnal mists, her grey springtime, and the rare glory of her summer days - such as that day - when the chestnut was in flower and the bells rang out high and clear over her gables and cupolas, exhaled the soft airs of centuries of youth. It was this cloistral hush which gave our laughter its resonance, and carried it still, joyously, over the intervening clamour.”

“that is not the last word; it is not even an apt word; it is a dead word from ten years back.”

“Her heart was broken perhaps, but it was a small inexpensive organ of local manufacture. In a wider and grander way she felt things had been simplified.”

“Creative Endeavour lost her wings, Mrs Ape.”