“It is unlikely that many of us will be famous, or even remembered. But not less important than the brilliant few that lead a nation or a literature to fresh achievements, are the unknown many whose patient efforts keep the world from running backward; who guard and maintain the ancient values, even if they do not conquer new; whose inconspicuous triumph it is to pass on what they inherited from their fathers, unimpaired and undiminished, to their sons. Enough, for almost all of us, if we can hand on the torch, and not let it down; content to win the affection, if it may be, of a few who know us and to be forgotten when they in their turn have vanished. The destiny of mankind is not governed wholly by its 'stars'.”

“It seems to me as natural and necessary to keep notes, however brief, of one's reading, as logs of voyagesor photographs of one's travels. For memory, in most of us, is a liar with galloping consumption.”

“It's important to think. It's what separates us from lentils. (The Fisher King)”

“But without deeper reflection one knows from daily life that one exists for other people--first of all for those upon whose smiles and well-being our own happiness is wholly dependent, and then for the many, unknown to us, to whose destinies we are bound by the ties of sympathy.”

“In a world grown dark with deceit there there are many who are blinded and few who can hold up a light so that we can see the way. More important, so that we can look at ourselves, as well as others, and know how similar we are to the herd.”

“It has not been by the wisdom of man that this people have been directed in their course until the present it has been by the wisdom of Him who is above man and whose knowledge is greater than that of man, and whose power is above the power of man….The hand of the Lord may not be visible to all. There may be many who cannot discern the workings of God’s will in the progress and development of this great latter-day work, but there are those who see in every hour and in every moment of the existence of the Church, from its beginning until now, the overruling, almighty hand of [God].”

“Resta strano e quasi inesplicabile il fatto che nella città di Atene, dove le donne erano tenute in reclusione quasi orientale, come odalische o serve, il teatro abbia ugualmente prodotto figure come Clitemnestra e Cassandra, Atossa e Antigone, Fedra e Medea, e tutte le altre eroine che dominano i drammi del "misogino" Euripide. Ma il paradosso di questo mondo, in cui nella vita reale una donna rispettabile non poteva quasi farsi vedere sola per strada, e tuttavia sulla scena, la donna uguaglia e supera l'uomo, non è stato mai spiegato in modo soddisfacente. Nella tragedia moderna esiste lo stesso prodominio. Ad ogni modo, una scorsa all'opera di Shakespeare (e anche a quella di Webster, ma non di Marlowe o Jonson) basta a dimostrare che questo preodominio, questa iniziativa delle donne, persiste da Rosalind a Lady Macbeth. E' così anche in Racine; se delle sue tragedia portano il nome dell'eroina; e quale dei suoi personaggi maschili possiamo contrapporre ad Ermione e ad Andromaca, a Berenice e a Rossana, a Fedra e ad Atalia? Così di nuovo con Ibsen, quale uomo possiamo paragonare a Solveig e Nora, Hedda e Hilda Wangel e Rebecca West?”