“And now Rosalind enters. Rosalind is-- utterly Rosalind. She is one of those girls who need never make the slightest effort to have men fall in love with them. Two types of men seldom do: dull men are usually afraid of her cleverness and intellectual men are usually afraid of her beauty. All others are hers by natural prerogative.”

“Tireless passion, fierce jealousy, longing to possess and crush-these alone were left of all his love for Rosalind; these remained to him as payment for the loss of his youth-bitter calomel under the thin sugar of love's exaltation.”

“the intimate revelations of young men, or at least the terms in which they express them, are usually plagiaristic and marred by obvious suppressions.”

“Her face was sad and lovely with bright things in it, bright eyes and a bright passionate mouth, but there was an excitement in her voice that men who had cared for her found difficult to forget: a singing compulsion, a whispered “Listen,” a promise that she had done gay, exciting things just a while since and that there were gay, exciting things hovering in the next hour.”

“When Vanity kissed Vanity, a hundred happy Junes ago, he pondered o'er her breathlessly, and, that all men might ever know, he rhymed her eyes with life and death:"Thru Time I'll save my love!" he said. . . yet Beauty vanished with his breath, and, with her lovers, she was dead. . .-Ever his wit and not her eyes, ever his art and not her hair:"Who'd learn a trick in rhyme, be wise and pause before his sonnet there". . . So all my words, however true, might sing you to a thousandth June, and no one ever know that you were Beauty for an afternoon.”

“Men don’t often know those times when a girl could be had for nothing.”

“Her husband, among various physical accomplishments, had been one of the most powerful ends that ever played football at New Haven-a national figure in a way, one of those men who reach such an acute limited excellence at twenty-one that everything afterward savours of anti-climax.”