“She felt a little betrayed and sad, but presently a moving object came into sight. It was a huge horse-chestnut tree in full bloom bound for the Champs Elysees, strapped now into a long truck and simply shaking with laughter - like a lovely person in an undignified position yet confident none the less of being lovely. Looking at it with fascination, Rosemary identified herself with it, and laughed cheerfully with it, and everything all at once seemed gorgeous.”

“All she wanted was to be a little girl, to be efficiently taken care of by some yielding yet superior power, stupider and steadier than herself. It seemed that the only lover she had ever wanted was a lover in a dream”

“She had somehow given over the thinking to him, and in his absences her every action seemed automatically governed by what he would like, so that now she felt inadequate to match her intentions against his. Yet think she must; she knew at last the number on the dreadful door of fantasy, the threshold to the escape that was no escape; she knew that for her greatest sin now and in the future was to delude herself. It had been a long lesson but she had learned it. Either you think—or else others have to think for you and take power from you, pervert and discipline your natural tastes, civilize and sterilize you.”

“All the way back she talked haltingly about herself, and Amory's love waned slowly with the moon. At her door they started from habit to kiss good night, but she could not run into his arms, nor were they stretched to meet her as in the week before. For a minute they stood there, hating each other with a bitter sadness. But as Amory had loved himself in Eleanor, so now what he hated was only a mirror. Their poses were strewn about the pale dawn like broken glass. The stars were long gone and there were left only the little sighing gusts of wind and the silences between... but naked souls are poor things ever, and soon he turned homewards and let new lights come in with the sun.”

“You're the only girl I've seen for a long time that actually did look like something blooming.”

“The other girl, Daisy, made an attempt to rise--she leaned slightly forward with a conscientious expression--then she laughed, an absurd, charming little laugh, and I laughed too and came forward into the room.'I'm p-paralyzed with happiness.'She laughed again, as if she said something very witty, and held my hand for a moment, looking up into my face, promising that there was no one in the world she so much wanted to see. That was a way she had. She hinted in a murmur that the surname of the balancing girl was Baker. (I've heard it said that Daisy's murmur was only to make people lean toward her; an irrelevant criticism that made it no less charming.)”

“Beauty and love pass, I know... Oh, there's sadness, too. I suppose all great happiness is a little sad. Beauty means the scent of roses and then the death of roses-”