“I feel closer ties and more intimate bonds with certain characters in books, with certain images I’ve seen in engravings, than with many supposedly real people, with that metaphysical absurdity known as “flesh and blood.” In fact “flesh and blood” describes them very well: they resemble cuts of meat laid out on the butcher’s marble slab, dead creatures bleeding as though still alive, the sirloin steaks and cutlets of Fate.”

“I feel like a real dead one: having neither blood to bleed nor any flesh or bone to feel the scars; yet I want to hold on to my spirit.”

“And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others. And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.”

“This is a work of fiction.If certain characters resemble people in real life, it is because certain people in real life resemble characters from a novel.Nobody, therefore, is entitled to feel included in this book.Nobody, by the same token, to feel excluded.”

“Even divorce, she thought, cannot erase all the bonds forged by years of marriage. Long after the papers are signed, decrees notarized, the ties still remain. And the most powerful tie of all is written in a child's flesh and blood.”

“Flesh and blood needs flesh and blood, and you're the one I need”