“Man shouldn’t be able to see his own face – there’s nothing more sinister. Nature gave him the gift of not being able to see it, and of not being able to stare into his own eyes.Only in the water of rivers and ponds could he look at his face. And the very posture he had to assume was symbolic. He had to bend over, stoop down, to commit the ignominy of beholding himself.The inventor of the mirror poisoned the human heart.”
In this thought-provoking quote by Fernando Pessoa, the idea that the ability to see one's own reflection is a sinister gift from nature is explored. Pessoa delves into the symbolism behind the act of looking at one's own face and suggests that the invention of the mirror has poisoned human hearts. This quote challenges readers to consider the implications of self-reflection and the impact it may have on our perceptions of ourselves.
Pessoa's words suggest that the act of seeing one's own reflection is a profound and potentially destructive experience. He implies that the natural inability to see one's face is a gift from nature, and the introduction of mirrors has tainted this purity. The act of looking at oneself in the mirror is framed as an ignominious and symbolic gesture, one that brings about a sense of shame and corruption. This quote highlights the complex relationship between self-perception and identity, urging readers to reconsider the role of self-reflection in shaping our understanding of ourselves.
In this quote by poet Fernando Pessoa, he expresses the idea that the ability to see one's own reflection, particularly in a mirror, can have negative effects on the human heart. Pessoa suggests that the act of gazing at one's own face can lead to feelings of vanity and self-obsession. Today, with the rise of social media and self-portraiture, Pessoa's words serve as a powerful reminder of the importance of looking beyond ourselves and cultivating humility.
In this quote, Fernando Pessoa explores the concept of self-reflection and the darker implications of being able to see one's own face. He argues that the ability to behold oneself in a mirror is a poison to the human heart.
Reflecting on Fernando Pessoa's thoughts on the sinister nature of seeing one's own face, consider the following questions:
How does the inability to see one's own face impact a person's self-perception and relationship with themselves?
Do you agree with Pessoa's assertion that looking at one's own reflection is an act of "committing ignominy"? Why or why not?
In what ways do mirrors and self-reflection play a role in shaping our understanding of ourselves and our place in the world?
How might the concept of not being able to see one's own face tie into larger themes of vanity, self-awareness, and human nature?
How can Pessoa's words challenge us to rethink the way we view ourselves and others in a society obsessed with appearances and self-image?
“The inventor of the mirror poisoned the human heart.”
“If only, I feel now, if only I could be someone able to see all this as if he had no other relation with it than that of seeing it, someone able to observe everything as if he were an adult traveler newly arrived today on the surface of life! If only one had not learned, from birth onwards, to give certain accepted meanings to everything, but instead was able to see the meaning inherent in each thing rather than that imposed on it from without. If only one could know the human reality of the woman selling fish and go beyond just labeling her a fishwife and the known fact that she exists and sells fish. If only one could see the policeman as God sees him. If only one could notice everything for the first time, not apocalyptically, as if they were revelations of the Mystery, but directly as the flowerings of Reality.”
“Masquerades disclose the reality of souls. As long as no one sees who we are, we can tell the most intimate details of our life. I sometimes muse over this sketch of a story about a man afflicted by one of those personal tragedies born of extreme shyness who one day, while wearing a mask I don’t know where, told another mask all the most personal, most secret, most unthinkable things that could be told about his tragic and serene life. And since no outward detail would give him away, he having disguised even his voice, and since he didn’t take careful note of whoever had listened to him, he could enjoy the ample sensation of knowing that somewhere in the world there was someone who knew him as not even his closest and finest friend did. When he walked down the street he would ask himself if this person, or that one, or that person over there might not be the one to whom he’d once, wearing a mask, told his most private life. Thus would be born in him a new interest in each person, since each person might be his only, unknown confidant.”
“Once we're able to see this world as an illusion and a phantasm, then we can see everything that happens to us as a dream, as something that pretended to exist while we were sleeping. And we will become subtly and profoundly indifferent towards all of life's setbacks and calamities. Those who die turned a corner, which is why we've stopped seeing them; those who suffer pass before us like a nightmare, if we feel, or like an unpleasant daydream, if we think. And even our own suffering won't be more than this nothingness.”
“This world is for those who are born to conquer it, Not for those who dream that are able to conquer it, even if they're right.”
“I read and am liberated. I acquire objectivity. I cease being myself and so scattered. And what I read, instead of being like a nearly invisible suit that sometimes oppresses me, is the external world’s tremendous and remarkable clarity, the sun that sees everyone, the moon that splotches the still earth with shadows, the wide expanses that end in the sea, the blackly solid trees whose tops greenly wave, the steady peace of ponds on farms, the terraced slopes with their paths overgrown by grape-vines.”