“He was bellowing a great many words that were new to Mosca and sounded quite interesting. She memorized them for future use.”
“...the wincing sunlight, the ragged gorse and the slow-blinking wings of the moths were witness to an epic Trade in Exotic Terms.Mosca’s opening offer was a number of cant words she had heard pedlars use, words for the drool hanging from a dog’s jaw, words for the greenish sheen on a mouldering strip of bacon. Eponymous Clent responded with some choice descriptions of ungrateful and treacherous women, culled from ballad and classic myth. Mosca countered with some from her secret hoard of hidden words, the terms used by smugglers for tell-alls, and soldiers’ words for the worst kind of keyholestooping spy. Clent answered with crushing and high-sounding examples from the best essays on the natural depravity of unguided youth. Mosca lowered the bucket deep, and spat out long-winded aspersions which long ago she had discovered in her father’s books, before her uncle had over-zealously burned them all. Clent stared at her. ‘This is absurd. I refuse to believe that you have even the faintest idea what an “ethically pusillanimous compromise” is, let alone how one would...’ Clent’s voice trailed away...”
“But in the name of all that is holy, Mosca, of all the people you could have taken up with, why Eponymous Clent?" murmured Kohlrabi.Because I'd been hording words for years, buying them from peddlers and carving them secretly on bits of bark so I wouldn't forget them, and then he turned up using words like "epiphany" and "amaranth." Because I heard him talking in the marketplace, laying out sentences like a merchant rolling out rich silks. Because he made words and ideas dance like flames and something that was damp and dying came alive in my mind, the way it hadn't since they burned my father's books. Because he walked into Chough with stories from exciting places tangled around him like maypole streamers..."Mosca shrugged."He's got a way with words.”
“But in the name of the most holy, Mosca, of all the people you could have taken up with, why Eponymous Clent?" Because I’d been hoarding words for years, buying them from pedlars and carving them secretly on to bits of bark so I wouldn’t forget them, and then he turned up using words like ‘epiphany’ and ‘amaranth’. Because I heard him talking in the marketplace, laying out sentences like a merchant rolling out rich silks. Because he made words and ideas dance like flames and something that was damp and dying came alive in my mind, the way it hadn’t since they burned my father’s books. Because he walked into Chough with stories from exciting places tangled around him like maypole streamers . . . Mosca shrugged. "He’s got a way with words.”
“This was thieves’ cant. Mosca was a lover of words, and she had a sneaking liking for the grimy panache of cant, and those who wore it like a ragged red cloak.”
“Mosca said nothing. The word ‘damsel’ rankled with her. She suddenly thought of the clawed girl from the night before, jumping the filch on an icy street. Much the same age and build as Beamabeth, and far more beleaguered. What made a girl a ‘damsel in distress’? Were they not allowed claws? Mosca had a hunch that if all damsels had claws they would spend a lot less time ‘in distress’.”
“It was hopeless. She was flawless. She was a sunbeam. Mosca gave up and got on with hating her.”