“I generally find,' Clent murmured after a pause, 'that it is best to treat borrowed time the same way as borrowed money. Spend it with panache, and try to be somewhere else when it runs out.' 'And when we get found, Mr. Clent, when the creditors and bailiffs come after us and it's payment time...' '...then we borrow more, madam, at a higher interest. We embark on a wilder gamble, make a bigger promise, tell a braver story, devise a more intricate lie, sell the hides of imaginary dragons to desperate men, climb to even higher and more precarious ground...and later, of course, our fall and catastrophe will be all the worse, but later will be our watchword, Mosca. We have nothing else - but we can at least make later later.”
“My good lady,’ interrupted Clent, ‘are you telling me that he is not the Luck? That you have in some way obfuscated the chronology of his nativity?’Seconds passed. A beetle flew into Mistress Leap’s hair while she stared at Clent, then it struggled free and flew off again.‘Did you lie about when he was born?’ translated Mosca.”
“Clent's expression had set up camp somewhere between amusement and pain. "Sometimes I forget that your small size is the result of youth, not pickling. You are... young, Mosca."To be young is to be powerless, but to have delusions of power. To believe that one can really change things, make the world better and simpler in good and simple ways. To grow old is to realize that nobody is ever good, nothing is ever simple. That truth is cruel at first, but finally comforting.""But...," Mosca broke in, then halted. Clent was right- she knew that he was. And yet her bones screamed that he was also wrong, utterly wrong. "But sometimes things /are/ simple. Just now and then. Just like now and then people /are/ good.""Yes." Clent gave a deep sigh. "Yes, I know. Innocent people force one to remember that. For you see, there is a cruelty in all innocence."Mosca remained silent for a few moments, daunted by the colossal sadness in his voice. "I'll never understand you, Mr. Clent," she said at last."Mosca," he replied simply, "I truly hope you never do.”
“Has it ever occurred to you that maybe you’re sane? That you’ve always been sane? That perhaps you’re the sanest person in the city?" "I hope not," whispered Neverfell. "Because, if I’m sane, then there’s something wrong with Caverna, something horrible and sick, and nobody else has noticed. If I’m sane, then we shouldn’t be sitting around talking – we should all be clawing our way out as fast as we can." "Oh, I don’t think she’d like that," the Kleptomancer remarked, with a hint of affection in his voice. "She needs us. Without us, there is no her, after all. She is the city, not the tunnels, and so she does everything she can to keep us down here. Sometimes I even wonder whether it is only possible to create True Delicacies here because she gives them their power, as a bribe to stop us leaving. When the Grand Steward declared that nobody was allowed to enter or leave the city, I believe he became her chosen beloved. I will tell you something else, though I cannot prove it. The city grows, and not just through the effort of pick and shovel. She has been stretching, spreading and contorting to make room for us all, and I think that is why geography no longer makes sense.”
“I suddenly realized that we were on borrowed time, that time is always borrowed, and that the lending agency exacts its premium precisely when we are least prepared to pay and need to borrow more...”
“Ordinary life did not stop just because kings rose and fell, Mosca realized. People adapted. If the world turned upside down, everyone ran and hid in their houses, but a very short while later, if all seemed quiet, they came out again and started selling each other potatoes.”
“When we're in the story, when we're part of it, we can't know the outcome. It's only later that we think we can see what the story was. But do we ever really know? And does anybody else, perhaps, coming along a little later, does anybody else really care? ... History is written by the survivors, but what is that history? That's the point I was trying to make just now. We don't know what the story is when we're in it, and even after we tell it we're not sure. Because the story doesn't end.”