“Mosca and Saracen shared, if not a friendship, at least the solidarity of the generally despised. Mosca assumed that Saracen had his reasons for his persecution of terriers and his possessive love of the malthouse roof. In turn, when Mosca had interrupted Saracen’s self-important nightly patrol and scooped him up, Saracen had assumed that she too had her reasons.”

“Mosca sniffed at perfection. Perfection had no pulse and no heart.”

“...Saracen had finished his barley and was happily chewing at the corner of a sheet that had been spread across a hedge to dry. He had once discovered a tablecloth, and ever since had been optimistic about the effects of dragging cloths off the top of things.”

“Since that time Saracen had been making a name for himself. That name was not ‘Saracen’. Indeed the name was more along the lines of ‘that hell-fowl’, ‘did-you-see-what-it-did-to-my-leg’, ‘kill-it-kill-it-there-it-goes’ or ‘what’s-that-chirfugging-goose-done-now’.”

“Mosca had never tasted power before. It was a little like the feeling the gin had given her, but without the bitterness and the numbness in her nose.”

“Mosca said nothing. The word ‘damsel’ rankled with her. She suddenly thought of the clawed girl from the night before, jumping the filch on an icy street. Much the same age and build as Beamabeth, and far more beleaguered. What made a girl a ‘damsel in distress’? Were they not allowed claws? Mosca had a hunch that if all damsels had claws they would spend a lot less time ‘in distress’.”

“Kohlrabi’s face had no expression at all, and suddenly Mosca could barely recognize him. His face had always seemed so honest, like an unshuttered window through which emotions shone without disguise. Perhaps his expressions had always been a magic-lantern display, a conjurer’s trick.”