“One of the two of us, thought Mosca, is in a lot of trouble right now. I wonder which of us it is? She isn’t turning pale or plucking at her handkerchief. Oh draggles, I think it’s me.”

“Until yesterday Mosca had been trapped between two rivers, desperate to get out before winter arrived. Toll had looked like her only means of escape. Now, however, she wondered if she had traded one prison for another, a smaller prison with high walls. If she was not out of it before her allotted time as a visitor ended, then the mysterious night town with its twilight cacophony would claim her.”

“What a world this is, he thought. Children put us to shame with their pluck, and are shot in the back for it.”

“Mosca said nothing. The word ‘damsel’ rankled with her. She suddenly thought of the clawed girl from the night before, jumping the filch on an icy street. Much the same age and build as Beamabeth, and far more beleaguered. What made a girl a ‘damsel in distress’? Were they not allowed claws? Mosca had a hunch that if all damsels had claws they would spend a lot less time ‘in distress’.”

“Mosca and Saracen shared, if not a friendship, at least the solidarity of the generally despised. Mosca assumed that Saracen had his reasons for his persecution of terriers and his possessive love of the malthouse roof. In turn, when Mosca had interrupted Saracen’s self-important nightly patrol and scooped him up, Saracen had assumed that she too had her reasons.”

“I am content to be hated, and bloody, and outnumbered. For in this sickened world, it is better to believe in something too fiercely than to believe in nothing."Words, words, wonderful words. But lies too. "No, it isn’t!" shouted Mosca the Housefly, Quillam Mye’s daughter. "Not if what you’re believin’ isn’t blinkin’ well True! You shouldn’t just go believin’ things for no reason, pertickly if you got a sword in your hand! Sacred just means something you’re not meant to think about properly, an’ you should never stop thinking! Show me something I can kick, and hit with rocks, and set fire to, and leave out in the rain, and think about, and if it’s still standing after all that then maybe, just maybe, I’ll start to believe in it, but not till then. An’ if all we’re left with is muck and wickedness and no gods, then we’d better face it and get used to it because it’s better than a lie.”

“Clent's expression had set up camp somewhere between amusement and pain. "Sometimes I forget that your small size is the result of youth, not pickling. You are... young, Mosca."To be young is to be powerless, but to have delusions of power. To believe that one can really change things, make the world better and simpler in good and simple ways. To grow old is to realize that nobody is ever good, nothing is ever simple. That truth is cruel at first, but finally comforting.""But...," Mosca broke in, then halted. Clent was right- she knew that he was. And yet her bones screamed that he was also wrong, utterly wrong. "But sometimes things /are/ simple. Just now and then. Just like now and then people /are/ good.""Yes." Clent gave a deep sigh. "Yes, I know. Innocent people force one to remember that. For you see, there is a cruelty in all innocence."Mosca remained silent for a few moments, daunted by the colossal sadness in his voice. "I'll never understand you, Mr. Clent," she said at last."Mosca," he replied simply, "I truly hope you never do.”