“She’s got us, she’s got us all. Caverna. She doesn’t want to let us go. Do you know what she’s like? A huge trap-lantern with us inside her, digesting us really, really slowly, and not wanting to let any of us go. Maybe that’s the worst kind of prison – not knowing you’re in a prison. Because then you don’t fight to get out.”

Frances Hardinge
Success Neutral

Explore This Quote Further

Quote by Frances Hardinge: “She’s got us, she’s got us all. Caverna. She doe… - Image 1

Similar quotes

“She’s one of my best friends, thought Neverfell, and most of the time I don’t know what is going on in her head at all.”


“Don’t trust anybody over a hundred and fifty years old, particularly if they look thirty. Anybody who gets that old in Caverna loses something, and they don’t get it back. They can’t feel properly any more. They’re hollow inside, and all they got left is a hunger – a hunger to feel. They’re like . . . great big trap-lanterns, all blind gaping need, and thousands of teeth, with decades to come up with tricks and schemes.”


“Has it ever occurred to you that maybe you’re sane? That you’ve always been sane? That perhaps you’re the sanest person in the city?" "I hope not," whispered Neverfell. "Because, if I’m sane, then there’s something wrong with Caverna, something horrible and sick, and nobody else has noticed. If I’m sane, then we shouldn’t be sitting around talking – we should all be clawing our way out as fast as we can." "Oh, I don’t think she’d like that," the Kleptomancer remarked, with a hint of affection in his voice. "She needs us. Without us, there is no her, after all. She is the city, not the tunnels, and so she does everything she can to keep us down here. Sometimes I even wonder whether it is only possible to create True Delicacies here because she gives them their power, as a bribe to stop us leaving. When the Grand Steward declared that nobody was allowed to enter or leave the city, I believe he became her chosen beloved. I will tell you something else, though I cannot prove it. The city grows, and not just through the effort of pick and shovel. She has been stretching, spreading and contorting to make room for us all, and I think that is why geography no longer makes sense.”


“I should never have told you . . . I don’t know what happened to me. I just . . . wanted to talk to somebody." "And if you hadn’t you’d still be going crazy with what you know, and I’d be going crazy with what I didn’t know, and both of us would be alone. Right now, I’m upset but I’m . . ." Neverfell hesitated, like one stretching a limb they think might be broken. "I’m all right. I think I’m more all right than I have been for ages. Great big holes of unknown are the worst thing. Before this, I didn’t know anything was wrong but I didn’t not know, if you see what I mean. You can go mad like that. And if my face is spoilt now, once and for all, then it means I don’t have to worry about it any more.”


“It draws you in. You twist your mind into new shapes. You start to understand Caverna . . . and you fall in love with her. Imagine the most beautiful woman in the world, but with tunnels as her long, tangled, snake-like hair. Her skin is dappled in trap-lantern gold and velvety black, like a tropical frog. Her eyes are cavern lagoons, bottomless and full of hunger. When she smiles, she has diamonds and sapphires for teeth, thousands of them, needle-thin.""But that sounds like a monster!" "She is. Caverna is terrifying. This is love, not liking. You fear her, but she is all you can think about.”


“I know how it is," Madame Appeline said, narrowing her slanting eyes slightly over her ice-cream smile. "There is a feeling deep down inside you, isn’t there? All the time. It bothers you. You don’t really know what it is, or how to describe it. You do not have a Face for it. And so you scan all the Face catalogues, and ask for Faces for every birthday because perhaps, just perhaps, if you had the right Face, you might understand what you are feeling. You need to find that Face." She leaned forward slightly. "Do go and look at our exhibition rooms, Miss Childersin.”