“...the wincing sunlight, the ragged gorse and the slow-blinking wings of the moths were witness to an epic Trade in Exotic Terms.Mosca’s opening offer was a number of cant words she had heard pedlars use, words for the drool hanging from a dog’s jaw, words for the greenish sheen on a mouldering strip of bacon. Eponymous Clent responded with some choice descriptions of ungrateful and treacherous women, culled from ballad and classic myth. Mosca countered with some from her secret hoard of hidden words, the terms used by smugglers for tell-alls, and soldiers’ words for the worst kind of keyholestooping spy. Clent answered with crushing and high-sounding examples from the best essays on the natural depravity of unguided youth. Mosca lowered the bucket deep, and spat out long-winded aspersions which long ago she had discovered in her father’s books, before her uncle had over-zealously burned them all. Clent stared at her. ‘This is absurd. I refuse to believe that you have even the faintest idea what an “ethically pusillanimous compromise” is, let alone how one would...’ Clent’s voice trailed away...”

“But in the name of the most holy, Mosca, of all the people you could have taken up with, why Eponymous Clent?" Because I’d been hoarding words for years, buying them from pedlars and carving them secretly on to bits of bark so I wouldn’t forget them, and then he turned up using words like ‘epiphany’ and ‘amaranth’. Because I heard him talking in the marketplace, laying out sentences like a merchant rolling out rich silks. Because he made words and ideas dance like flames and something that was damp and dying came alive in my mind, the way it hadn’t since they burned my father’s books. Because he walked into Chough with stories from exciting places tangled around him like maypole streamers . . . Mosca shrugged. "He’s got a way with words.”

“But in the name of all that is holy, Mosca, of all the people you could have taken up with, why Eponymous Clent?" murmured Kohlrabi.Because I'd been hording words for years, buying them from peddlers and carving them secretly on bits of bark so I wouldn't forget them, and then he turned up using words like "epiphany" and "amaranth." Because I heard him talking in the marketplace, laying out sentences like a merchant rolling out rich silks. Because he made words and ideas dance like flames and something that was damp and dying came alive in my mind, the way it hadn't since they burned my father's books. Because he walked into Chough with stories from exciting places tangled around him like maypole streamers..."Mosca shrugged."He's got a way with words.”

“Clent's expression had set up camp somewhere between amusement and pain. "Sometimes I forget that your small size is the result of youth, not pickling. You are... young, Mosca."To be young is to be powerless, but to have delusions of power. To believe that one can really change things, make the world better and simpler in good and simple ways. To grow old is to realize that nobody is ever good, nothing is ever simple. That truth is cruel at first, but finally comforting.""But...," Mosca broke in, then halted. Clent was right- she knew that he was. And yet her bones screamed that he was also wrong, utterly wrong. "But sometimes things /are/ simple. Just now and then. Just like now and then people /are/ good.""Yes." Clent gave a deep sigh. "Yes, I know. Innocent people force one to remember that. For you see, there is a cruelty in all innocence."Mosca remained silent for a few moments, daunted by the colossal sadness in his voice. "I'll never understand you, Mr. Clent," she said at last."Mosca," he replied simply, "I truly hope you never do.”

“For so long, I’d wanted to hear those words fall from her lips. I’d just had no idea that in those words there would be so much sadness, that they would be tainted by years of her sorrow, and that my own thrill in finally hearing her say them aloud would be tarnished by the immense amount of resentment over what she had done.”

“This was thieves’ cant. Mosca was a lover of words, and she had a sneaking liking for the grimy panache of cant, and those who wore it like a ragged red cloak.”