“Today, I demand that a film express either the joy of making cinema or the agony of making cinema. I am not at all interested in anything in between; I am not interested in all those films that do not pulse.”

“Do you know anything about silent films?" "Sure," I said. "The first ones were developed in the late nineteenth century and sometimes had live musical accompaniment, though it wasn't until the 1920s that sound became truly incorporated into films, eventually making silent ones obsolete in cinema.”

“[on what interests him as a moviegoer] I'm interested in seeing films that confront me with new things, with films that make me question myself, with films that help me to reflect on subjects that I hadn't thought about before, films that help me progress and advance. Those are the kinds of films that interest me. For me, personally, I think watching a movie that simply confirms my feelings is a waste of time. That applies not only to movies, but also to books and every form of art.”

“That's what I like about film-it can be bizarre, classic, normal, romantic. Cinema is to me the most versatile thing.”

“Academia is the death of cinema. It is the very opposite of passion. Film is not the art of scholars, but of illiterates.”

“I look at the human sciences as poetic sciences in which there is no objectivity, and I see film as not being objective, and cinema verite as a cinema of lies that depends on the art of telling yourself lies. If you’re a good storyteller then the lie is more true than reality, and if you’re a bad one, the truth is worse than a half lie.”