“No one can be the total cure for another person.”

“Our personal past is only available to us now through black-and-white film, it's a medium for communication with the dead, including our dead selves, the way we used to be, which is why we're drawn to it.”

“...that out of the quarrel with others we produce rhetoric, matter for the editorial page, while out of the quarrel with ourselves we create art.”

“The camera has a mind of its own--its own point of view. Then the human bearer of time stumbles into the camera's gaze--the camera's domain of pristine space hitherto untraversed is now contaminated by human temporality. Intrusion occurs, but the camera remains transfixed by its object. It doesn't care. The camera has no human fears.”

“People are mysterious, even to themselves.”

“In the end, everything is found to be wanting.”

“Here's the most startling irony I know in film history: Antonioni, who is often denigrated by left-wing critics as a formalist and aesthete gives us radical realism through the long take, and what he gives us--this is his metaphysical wager--is real outside the film, off the set, beyond the camera and underneath the surface of everyday life.”