“I don't believe in god, so I don't have to make elaborately sounded structures. ... Pain always produces logic, which is very bad for you. ... As for measure and other technical apparatus, that's just common sense: if you're going to buy a pair of pants you want them to be tight enough so everyone will want to go to bed with you. There's nothing metaphysical about it.”

“As for measure and other technical apparatus, that’s just common sense: if you’re going to buy a pair of pants you want them to be tight enough so everyone will want to go to bed with you. There’s nothing metaphysical about it. Unless, of course, you flatter yourself into thinking that what you’re experiencing is “yearning.”

“I've got to get out of here. I choose a piece of shawl and my dirtiest suntans. I'll be back, I'll re-emerge, defeated, from the valley; you don't want me to go where you go, so I go where you don't want me to.”

“When I die, don't come, I wouldn't want a leafto turn away from the sun -- it loves it there.There's nothing so spiritual about being happybut you can't miss a day of it, because it doesn't last.”

“My HeartI'm not going to cry all the timenor shall I laugh all the time,I don't prefer one "strain" to another.I'd have the immediacy of a bad movie,not just a sleeper, but also the big,overproduced first-run kind. I want to be at least as alive as the vulgar. And if some aficionado of my mess says "That's not like Frank!," all to the good! I don't wear brown and grey suits all the time, do I? No. I wear workshirts to the opera,often. I want my feet to be bare,I want my face to be shaven, and my heart--you can't plan on the heart, butthe better part of it, my poetry, is open.”

“How funny you are today New Yorklike Ginger Rogers in Swingtimeand St. Bridget’s steeple leaning a little to the lefthere I have just jumped out of a bed full of V-days(I got tired of D-days) and blue you there stillaccepts me foolish and freeall I want is a room up thereand you in itand even the traffic halt so thick is a wayfor people to rub up against each otherand when their surgical appliances lockthey stay togetherfor the rest of the day (what a day)I go by to check a slide and I saythat painting’s not so bluewhere’s Lana Turnershe’s out eatingand Garbo’s backstage at the Meteveryone’s taking their coat offso they can show a rib-cage to the rib-watchersand the park’s full of dancers with their tights and shoesin little bagswho are often mistaken for worker-outers at the West Side Ywhy notthe Pittsburgh Pirates shout because they wonand in a sense we’re all winningwe’re alivethe apartment was vacated by a gay couplewho moved to the country for funthey moved a day too sooneven the stabbings are helping the population explosionthough in the wrong countryand all those liars have left the UNthe Seagram Building’s no longer rivalled in interestnot that we need liquor (we just like it)and the little box is out on the sidewalknext to the delicatessenso the old man can sit on it and drink beerand get knocked off it by his wife later in the daywhile the sun is still shiningoh god it’s wonderfulto get out of bedand drink too much coffeeand smoke too many cigarettesand love you so much”

“Each time my heart is broken it makes me feel more adventurous (and how the same names keep recurring on that interminable list!), but one of these days there'll be nothing left with which to venture forth.Why should I share you? Why don't you get rid of someone else for a change?”