“It is as if a person were a prisoner, and he had not only the intention to escape, which would perhaps be attainable, but also, and indeed simultaneously, the intention to rebuild the prison as a pleasure dome for himself. But if he escapes, he cannot rebuild, and if he rebuilds, he cannot escape.”

“Sometimes I have the feeling that we're in one room with two opposite doors and each of us holds the handle of one door, one of us flicks an eyelash and the other is already behind his door, and now the first one has but to utter a word ad immediately the second one has closed his door behind him and can no longer be seen. He's sure to open the door again for it's a room which perhaps one cannot leave. If only the first one were not precisely like the second, if he were calm, if he would only pretend not to look at the other, if he slowly set the room in order as though it were a room like any other; but instead he does exactly the same as the other at his door, sometimes even both are behind the doors and the the beautiful room is empty.”

“He has two antagonists: the first presses him from behind, from the origin. The second blocks the road ahead. He gives battle to both. To be sure, the first supports him in his fight with the second, for he wants to push him forward, and in the same way the second supports him in his fight with the first, since he drives him back. But it is only theoretically so. For it is not only the two antagonists who are there, but he himself as well, and who really knows his intentions? His dream, though, is that some time in an unguarded moment and this would require a night darker than any night has ever been yet he will jump out of the fighting line and be promoted, on account of his experience in fighting, to the position of umpire over his antagonists in their fight with each other.”

“It puzzled K., at least it puzzled him looking at it from the policemen's point of view, that they had made him go into the room and left him alone there, where he had ten different ways of killing himself. At the same time, though, he asked himself, this time looking at it from his own point of view, what reason he could have to do so. Because those two were sitting there in the next room and had taken his breakfast, perhaps?”

“Perhaps there is another kind of writing, I only know this one, in the night, when anxiety does not let me sleep, I only know this one. And what is devilish in it seems to me quite clear. It is the vanity and the craving for enjoyment, which is forever whirring around oneself or even around someone else...and enjoying it. The wish that a naive person sometimes has: "I would like to die and watch others crying over me," is what such a writer constantly experiences: he dies (or he does not live) and continually cries over himself”

“One of the first signs of the beginning of understanding is the wish to die. This life appears unbearable, another unattainable. One is no longer ashamed of wanting to die; one asks to be moved from the old cell, which one hates, to a new one, which one willl only in time come to hate. In this there is also a residue of belief that during the move the master will chance to come along the corridor, look at the prisoner and say: "This man is not to be locked up again, He is to come with me.”

“It would have been so pointless to kill himself that, even if he had wanted to, the pointlessness would have made him unable.”