“We sleep and nap in bed--my two piled up mattresses on the bare wooden floor. We are silent, dreamy. She surveys my photographs crowded on the wall. I have no particular subject, no special theme. The Brooklyn Bridge at dawn will do, tugs and their milky wake, elms fading in the fading light, my postman and his green mailbag. It's the shooting the excites me. Printing is the fatiguing task after the action, the dressing of the game after the hunt.”

“My mother moves so fast I do not even see it coming. But she slaps my face hard enough to make my head snap backward. She leaves a print that stains me long after it’s faded. Just so you know: shame is five-fingered.”

“…..pump, pump, pump- where is it? It’s fading fast (the sound of his heart as I laid on his bed), it’s disappearing as i drift to sleep (but its still in my head, always in my head–haunting).”

“Shortly after we were in bed I began my story, but made it so absurd, so long, and so tiresome, that, as my intention was, I sent her to sleep, and should have gone to sleep myself - but dark plots are ever wakeful. (“The Story of Prince Barkiarokh”)”

“Nothing in my life ever seemed to fade away or take its rightful place among the pantheon of experiences that constituted my eighteen years. It was all still with me, the storage space in my brain crammed with vivid memories, packed and piled like photographs and old dresses in my grandmother’s bureau. I wasn’t just the madwoman in the attic — I was the attic itself. The past was all over me, all under me, all inside me.”

“I have dreamed of our bed as if it were a shore where we would be washed up, not this striped mattress we must cover with sheets. [from "After an Absence"]”