“The student of history knows no more refreshing recreation than that of nailing liars, like vermin, to the wall.”

“Shall I tell you the difference between our Holy Father and ourselves? We see things from a single view-point. He sees things from several. We decide that the thing is as we see it. But He has seen it otherwise, and He presents it as a more or less complete coaction of its qualities. See this sapphire. Well, you see the face of it: underneath, if I take it off my finger, there are a number of facets to be seen and a number more which are hidden by the gold of the setting. Now my meaning is that our Holy Father has seen all the facets as well as the table of the sapphire, or the thing. Consequently He knows a great deal more about the sapphire, or the thing, than we do. You must have noted that in Him. You must have noted how that every now and then, when He deigns to explain, He makes mysteries appear most wonderfully lucid.”

“The real turning point in human history is less apt to be the day the wheel is invented or Rome falls than the day a boy is born to a couple of hick Jews.”

“The real art of conversation is not only to say the right thing at the right place, but to leave unsaid the wrong thing at the most tempting moment.”

“The beautiful is powerless but always exceeds what frames it, and what always frames it is discourse.”

“What we hunger for perhaps more than anything else is to be known in our full humanness, and yet that is often just what we also fear more than anything else. It is important to tell at least from time to time the secret of who we truly and fully are . . . because otherwise we run the risk of losing track of who we truly and fully are and little by little come to accept instead the highly edited version which we put forth in hope that the world will find it more acceptable than the real thing. It is important to tell our secrets too because it makes it easier . . . for other people to tell us a secret or two of their own . . . ”

“Come unto me. Come unto me, you say. All right then, dear my Lord. I will try in my own absurd way. In my own absurd way I will try to come unto you, a project which is in itself by no means unabsurd. Because I do not know the time or place where you are. And if by some glad accident my feet should stumble on it, I do not know that I would know that I had stumbled on it. And even if I did know, I do not know for sure that I would find you there. … And if you are there, I do not know that I would recognize you. And if I recognized you, I do not know what that would mean or even what I would like it to mean. I do not even well know who it is you summon, myself.For who am I? I know only that heel and toe, memory and metatarsal, I am everything that turns, all of a piece, unthinking, at the sound of my name. … Come unto me, you say. I, … all of me, unknowing and finally unknowable even to myself, turn. O Lord and lover, I come if I can to you down through the litter of any day, through sleeping and waking and eating and saying goodbye and going away and coming back again. Laboring and laden with endless histories heavy on my back.”