“I lived that year on top of a wooden tower in an area east of Santa Rosa known as the Valley of the Moon.”

“In March of that year, I saw a man named Paul Barkley shot to death. It happened late at night in the parking lot of a café in Santa Rosa called Galileo’s.”

“The sun had already set behind the mountains, and the sky had been drained of color. The trellises of sauvignon blanc flowed down the hill in even rows toward the valley floor. Whatever I was looking for, it wasn’t outside. As far as I could tell, the grapes were minding their own business.”

“Over the years, Skye sampled every drug she could find, and like many addicts, had a working knowledge of pharmacology. She snorted coke and swallowed pills. She took downers—orange and red Seconal, red and ivory Dalmane, Miltown, Librium, Luminal, Nembutal, and Quaaludes. Blue devils, red birds, purple hearts. Enough of them sank her in a kind of coma, where she watched her own limbs suspended in front of her in syrup. For a party, there was Benzedrine, rushing in her veins and making her talk for an hour in one long sentence. Day to day, she carried yellow tablets loose in her pockets, Dilaudid and Percodan, and chewed them in the back of classrooms. But her favorite was the greatest pain reliever of them all, named for the German word for hero.”

“But, whatever the magic, I wasn’t smarter than chemistry, and after a while, I heard two people talking in the empty room next door, their whispers coming out of the phone jack.”

“Aren’t autobiographies born in a question we ask ourselves: how did I get to this point? Don’t we look back over the path and tell ourselves a story? This is how it happened. This is who I am.”

“Every American autobiography, someone once said, is about one thing—escape. Look into the frightened heart of an American life, and you’ll find a compulsion to flee—a seed planted in the national character at the start by those ships sailing out of Europe and landing on our shores. — Teller: A Novel”