“But an essentially mechanical world would be an essentially meaningless world! Suppose that one assessed the value of a piece of music according to how much of it could be counted, calculated, put into formulas; how absurd such a 'scientific' assessment of music would be! What would one have comprehended, understood, known about it? Nothing, absolutely nothing of what is really 'music' in it!”

“Language is music. Written words are musical notation. The music of a piece of fiction establishes the way in which it is to be read, and, in the largest sense, what it means. It is essential to remember that characters have a music as well, a pitch and tempo, just as real people do. To make them believable, you must always be aware of what they would or would not say, where stresses would or would not fall.”

“The best music... is essentially there to provide you something to face the world with.”

“There is nothing in the world so much like prayer as music is.”

“What is the world? What is it for? It is an art. It is the best of all possible art, a finite picture of the infinite. Assess it like prose, like poetry, like architecture, sculpture, painting, dance, delta blues, opera, tragedy, comedy, romance, epic. Assess it like you would a Faberge egg, like a gunfight, like a musical, like a snowflake, like a death, a birth, a triumph, a love story, a tornado, a smile, a heartbreak, a sweater, a hunger pain, a desire, a fufillment, a desert, a waterfall, a song, a race, a frog, a play, a song, a marriage, a consummation, a thirst quenched. Assess it like that. And when you're done, find an ant and have him assess the cathedrals of Europe.”

“There was something about words and music together that allowed people to get nearest to honest truth about what was most difficult to say. Paradoxically, only through the essential instantaneity of music could you approach its eternal pertinence.”