“Let us imagine a coming generation with such intrepidity of vision, with such a heroic penchant for the tremendous; let us imagine the bold stride of these dragon-slayers, the proud audacity with which they turn their back on all the weakling's doctrines of optimism in order to 'live resolutely' in wholeness and fullness: would it not be necessary for the tragic man of such a culture, in view of his self-education for seriousness and terror, to desire a new art, the art of metaphysical comfort, to desire tragedy as his own proper Helen, and to exclaim with Faust:Should not my longing overleap the distanceAnd draw the fairest form into existence?""Would it not be necessary?"--No, thrice no! O you young romantics: it would not be necessary! But it is highly probably that it will end that way, that you end that way--namely, "comforted," as it is written, in spite of all self-education for seriousness and terror, "comforted metaphysically"--in sum, as romantics end, as Christians.”

“The bright image projections of the Sophoclean hero--in short, the Apollinian aspect of the mask--are necessary effects of a glance into the inside and terrors of nature; as it were, luminous spots to cure eyes damaged by gruesome night. Only in this sense may we believe that we properly comprehend the serious and important concept of "Greek cheerfulness." The misunderstanding of this concept as cheerfulness in a state of unendangered comfort is, of course, encountered everywhere today.”

“If you invest all your energy in economics, world commerce, parliamentarianism, military engagements, power and power politics, -if you take the quantum of intelligence, seriousness, will, and self-overcoming that you embody and expend it all in this one direction, there there won't be any left for the other direction. Culture and the state - let us be honest with ourselves - these are adversaries.”

“No one is accountable for existing at all, or for being constituted as he is, or for living in the circumstances and surroundings in which he lives. The fatality of his nature cannot be disentangled from the fatality of all that which has been and will be. He is not the result of a special design, a will, a purpose; he is not the subject of an attempt to attain an 'ideal of man' or an 'ideal of happiness' or an 'ideal of morality'--it is absurd to want to hand over his nature to some purpose or other. We invented the concept 'purpose': in reality purpose is lacking...One is necessary, one is a piece of fate, one belongs to the whole, one is in the whole--there exists nothing which could judge, measure, compare, condemn our being, for that would be to judge, measure, condemn the whole...”

“Our evaluations. - All actions may be traced back to evaluations, all evaluations are original or adopted - the latter being by far the most common. Why do we adopt them? From fear - that is to say, we consider it more advisable to pretend they are our own - and accustom ourself to this pretense, so that at length it becomes our own nature. Original evaluation: that is to say, to assess a thing according to the extent to which it pleases or displeases us alone and no one else - something excessively rare! But must our evaluation of another, in which there lies motive for our general availing ourselves of his HIS evaluation, at least not proceed from US, be our OWN determination? Yes, but we arrive at it as children, and rarely learn to change our view; most of us are our whole lives long the fools of the way we acquired in childhood of judging our neighbors (their minds, rank, morality, whether they are exemplary or reprehensible) and of finding it necessary to pay homage to their evaluations.”

“[Dionysos'] being torn into pieces, the genuine Dionysiac suffering, is like a transformation into air, water, earth, and fire, so that we are to regard the state of individuation as the source and primal cause of all suffering.... In the view described here we already have all the constituent elements of a profound way of looking at the world and thus, at the same time, the doctrine of the Mysteries taught by tragedy: the fundamental recognition that everything which exists is a unity; the view that individuation is the primal source of all evil; and art as the joyous hope that the spell of individuation can be broken, a premonition of unity restored.”

“In order to think and infer it is necessary to assume beings: logic handles only formulas for what remains the same. That is why this assumption would not be a proof of reality: 'beings' are part of our perspective. ... The fictitious world of subject, substance, 'reason,' etc., is needed-: there is in us a power to order, simplify, falsify, artificially distinguish. ... What then is truth? A moveable host of metaphors, metonomies, and anthropomorphisms: in short, a sum of human relations which have been poetically and rhetorically intensified, transferred, and embellished, and which, after long usage, seem to a people to be fixed, canonical, and binding. Truths are illusions which we have forgotten are illusions; they are metaphors that have become worn out and have been drained of sensuous force,”