“Plato was a bore.”

“Plato's objection to the older art--that it is the imitation of a phantom and hence belongs to a sphere even lower than the empirical world--could certainly not be directed against the new art; and so we find Plato endeavoring to transcend reality and to represent the idea which underlies this pseudo-reality.”

“(Broad daylight; breakfast; return of cheerfulness and bons sens; Plato blushes for shame; all free spirits run riot.)”

“Is life not a thousand times too short for us to bore ourselves?”

“Plato has given to all posterity the model of a new art form, the model of the novel--which may be described as an infinitely enhanced Aesopian fable, in which poetry holds the same rank in relation to dialectical philosophy as this same philosophy held for many centuries in relation to theology: namely the rank of ancilla.”

“As long as the sole ruler and disposer of the universe, the nous, remained excluded from artistic activity, things were mixed together in a primeval chaos: this was what Euripides must have thought; and so, as the first "sober" one among them, he had to condemn the "drunken" poets. Sophocles said of Aeschylus that he did what was right, though he did it unconsciously. This was surely not how Euripides saw it. He might have said that Aeschylus, because he created unconsciously, did what was wrong. The divine Plato, too, almost always speaks only ironically of the creative faculty of the poet, insofar as it is not conscious insight, and places it on a par with the gift of the soothsayer and dream-interpreter: the poet is incapable of composing until he has become unconscious and bereft of understanding.”

“It is not the strength, but the duration, of great sentiments that makes great men.”