“Plato's objection to the older art--that it is the imitation of a phantom and hence belongs to a sphere even lower than the empirical world--could certainly not be directed against the new art; and so we find Plato endeavoring to transcend reality and to represent the idea which underlies this pseudo-reality.”

“Art is not merely an imitation of the reality of nature, but in truth a metaphysical supplement to the reality of nature, placed alongside thereof for its conquest. ”

“Plato has given to all posterity the model of a new art form, the model of the novel--which may be described as an infinitely enhanced Aesopian fable, in which poetry holds the same rank in relation to dialectical philosophy as this same philosophy held for many centuries in relation to theology: namely the rank of ancilla.”

“4. The falseness of an opinion is not for us any objection to it: it is here, perhaps, that our new language sounds most strangely. The question is, how far an opinion is life-furthering, life- preserving, species-preserving, perhaps species-rearing, and we are fundamentally inclined to maintain that the falsest opinions (to which the synthetic judgments a priori belong), are the most indispensable to us, that without a recognition of logical fictions, without a comparison of reality with the purely IMAGINED world of the absolute and immutable, without a constant counterfeiting of the world by means of numbers, man could not live—that the renunciation of false opinions would be a renunciation of life, a negation of life. TO RECOGNISE UNTRUTH AS A CONDITION OF LIFE; that is certainly to impugn the traditional ideas of value in a dangerous manner, and a philosophy which ventures to do so, has thereby alone placed itself beyond good and evil.”

“In truth, nothing could be more opposed to the purely aesthetic interpretation and justification of the world which are taught in this book than the Christian teaching, which is, and wants to be, only moral and which relegates art, every art, to the realm of lies; with its absolute standards, beginning with the truthfulness of God, it negates, judges, and damns art.”

“Plato was a bore.”

“Where we encounter the "naïve" in art, we should recognize the highest effect of Apollinian culture--which always must first overthrow an empire of Titans and slay monsters, and which must have triumphed over an abysmal and terrifying view of the world and the keenest susceptibility to suffering through recourse to the most forceful and pleasurable illusions.”