“The awakened and knowing say: body I am entirely, and nothing else; and soul is only a word for something about the body.”

“I consist of body and soul - in the worlds of a child. And why shouldn't we speak like children? But the enlightened, the knowledgealbe would say: I am body through and through, nothing more; and the soul is just a word for something on the body.”

“Once the soul looked contemptuously upon the body, and then that contempt was the supreme thing: - the soul wished the body lean, monstrous, and famished. Thus it thought to escape from the body and the earth. But that soul was itself lean, monstrous, and famished; and cruelty was the delight of this soul! So my brothers, tell me: What does your body say about your soul? Is not your soul poverty and filth and miserable self-complacency?”

“You say 'I' and you are proud of this word. But greater than this- although you will not believe in it - is your body and its great intelligence, which does not say 'I' but performs 'I'.”

“I want to speak to the despisers of the body. I would not have them learn and teach differently, but merely say farewell to their own bodies-- and thus become silent.”

“Besides this I place another equally obvious confirmation of my view that opera is based on the same principles as our Alexandrian culture. Opera is the birth of the theoretical man, the critical layman, not of the artist: one of the most surprising facts in the history of all the arts. It was the demand of throughly unmusical hearers that before everything else the words must be understood, so that according to them a rebirth of music is to be expected only when some mode of singing has been discovered in which textword lords it over counterpoint like master over servant: For the words, it is argued, are as much nobler than the accompanying harmonic system as the soul is nobler than the body.”

“There is more wisdom in your body than in your best wisdom. And who then knows why your body needs precisely your best wisdom?”