“The tremendous historical need of our unsatisfied modern culture, the assembling around one of countless other cultures, the consuming desire for knowledge--what does all this point to, if not to the loss of myth, the loss of the mythical home, the mythical maternal womb?”

“What does our great historical hunger signify, our clutching about us of countless cultures, our consuming desire for knowledge, if not the loss of myth, of a mythic home, the mythic womb?”

“We are sitting on top of a vast cultural and historical pyramid of accumulated misconceptions, lies and myths, built one on top of the other.”

“The power of both myth and art is this magical ability to open doors, to make connections — not only between us and the natural world, but between us and the rest of humanity. Myths show us what we have in common with every other human being, no matter what culture we come from, no matter what century we live in. . .and at the same time, mythic stories and art celebrate our essential differences...”

“Reading myth as crystallizing historical fact was a commonapproach in the 19th and early 20th centuries. But it is anapproach to myth that is fraught with problems. It ignores ortakes insufficient account of how mythic narratives are exploited for political purposes.”

“Text of bliss: the text that imposes a state of loss, the text that discomforts (perhaps to the point of a certain boredom), unsettles the reader's historical, cultural, psychological assumptions, the consistency of his tastes, values, memories, brings to a crisis his relation with language.”