“When one is young, one venerates and despises without that art of nuances which constitutes the best gain of life, and it is only fair that one has to pay dearly for having assaulted men and things in this manner with Yes and No. Everything is arranged so that the worst of tastes, the taste for the unconditional, should be cruelly fooled and abused until a man learns to put a little art into his feelings and rather to risk trying even what is artificial — as the real artists of life do.”

“One must shed the bad taste of wanting to agree with many. "Good" is no longer good when one's neighbor mouths it. And how should there be a "common good"! The term contradicts itself: whatever can be common always has little value. In the end it must be as it is and always has been: great things remain for the great, abysses for the profound, nuances and shudders for the refined, and, in brief, all that is rare for the rare.”

“It may be that until now there has been no more potent means for beautifying man himself than piety: it can turn man into so much art, surface, play of colors, graciousness that his sight no longer makes one suffer.---”

“In this condition one enriches everything out of one's own abundance: what one sees, what one desires, one sees swollen, pressing, strong, over laden with energy. The man in this condition transforms things until they mirror his power - until they are reflections of his perfections”

“It is the business of the very few to be independent; it is a privilege of the strong. And whoever attempts it, even with the best right, but without being OBLIGED to do so, proves that he is probably not only strong, but also daring beyond measure. He enters into a labyrinth, he multiplies a thousandfold the dangers which life in itself already brings with it; not the least of which is that no one can see how and where he loses his way, becomes isolated, and is torn piecemeal by some minotaur of conscience. Supposing such a one comes to grief, it is so far from the comprehension of men that they neither feel it, nor sympathize with it. And he cannot any longer go back! He cannot even go back again to the sympathy of men!”

“Now and then, in philosophers or artists, one finds a passionate and exaggerated worship of 'pure forms': no one should doubt that a person who so needs the surface must once have made an unfortunate grab underneath it. Perhaps these burnt children, the born artists who find their only joy in trying to falsify life's images (as if taking protracted revenge against it-), perhaps they may even belong to a hierarchy: we could tell the degree to which they are sick of life by how much they wish to see its image adulterated, diluted, transcendentalized, apotheosized- we could count the homines religiosi among the artists, as their highest class.”

“One thing a man must have: either a naturally light disposition or a disposition lightened by art and knowledge.”