“Whenever the truth is uncovered, the artist will always cling with rapt gaze to what still remains covering even after such uncovering; but the theoretical man enjoys and finds satisfaction in the discarded covering and finds the highest object of his pleasure in the process of an ever happy uncovering that succeeds through his own efforts.”

“The sum of the inner movements which a man finds easy and as a consequence performs gracefully and with pleasure, one calls his soul; if these inner movements are plainly difficult and an effort for him, he is considered soulless.”

“What? A great man? I only ever see the ape of his own ideal.”

“Now and then, in philosophers or artists, one finds a passionate and exaggerated worship of 'pure forms': no one should doubt that a person who so needs the surface must once have made an unfortunate grab underneath it. Perhaps these burnt children, the born artists who find their only joy in trying to falsify life's images (as if taking protracted revenge against it-), perhaps they may even belong to a hierarchy: we could tell the degree to which they are sick of life by how much they wish to see its image adulterated, diluted, transcendentalized, apotheosized- we could count the homines religiosi among the artists, as their highest class.”

“A thinker sees his own actions as experiments and questions--as attempts to find out something. Success and failure are for him answers above all.”

“Even when in the deepest distress, the actor ultimately cannot cease to think of the impression he and the whole scenic effect is making, even for example at the burial of his own child; he will weep over his own distress and the ways in which it expresses itself, as his own audience. The hypocrite who always plays one and the same role finally ceases to be a hypocrite; for example priests, who as young men are usually conscious or unconscious hypocrites, finally become natural and then really are priests without any affectation; or if the father fails to get that far then perhaps the son does so, employing his father's start and inheriting his habits. If someone obstinately and for a long time wants to appear something it is int he end hard for him to be anything else. The profession of almost every man, even that of the artist, begins with hypocrisy, with an imitation from without, with a copying of what is most effective. He who is always wearing a mask of a friendly countenance must finally acquire a power over benevolent moods without which the impression of friendliness cannot be obtained - and finally these acquire power over him, he is benevolent.”

“To love mankind for the sake of God-that has been the most nobel and far-fetched feeling yet achieved by human beings. The idea that without some sanctifying ulterior motive, a love of mankind is just one more brutish stupidity, that the predisposition to such a love must first find its weight, its refinement, its grain of salt and pinch of ambergris in another even higher predisposition-whoever first felt and 'witnessed' this, and however much his tongue may have stuttered in attempting to express such a delicate idea: may he remain forever venerable and holy in our sight as the man who as yet has flown the highest and erred the most beautifully!”