“You cannot imagine what sorrow and anger seize one's whole soul when a great idea, which one has long and piously revered, is picked up by some bunglers and dragged into the street, to more fools like themselves, and one suddenly meets it in the flea market, unrecognizable, dirty, askew, absurdly presented, without proportion, without harmony, a toy for stupid children.”

“You cannot imagine what wrath and sadness overcome your whole soul when a great idea, which you have long cherished as holy, is caught up by the ignorant and dragged forth before fools like themselves into the street, and you suddenly meet it in the market unrecognizable, in the mud, absurdly set up, without proportion, without harmony, the plaything of foolish louts!”

“Men achieve cheerfulness by moderation in pleasure and by proportion in their life excess and deficiency are apt to fluctuate and cause great changes in the soul. And souls which change over great intervals are neither stable nor cheerful. So one should set one's mind on what is possible and be content with what one has taking little account of those who are admired and envied and not dwelling on them in thought but one should consider the lives of those who are in distress thinking of their grievous sufferings so that what one has and possesses will seem great and enviable and one will cease to suffer in one's soul through the desire for more.”

“One cannot grow without pain. One cannot improve without it. Suffering drives us to achieve great things.”

“If you saw a dog that was hit by a car in the street, lying there, hurt, in pain, broken... would you pick it up? Caress it? Reassure it? Then just throw it back in the street? Some people do that, just in different ways... to other people. Whis is worse? The one who causes the intial pain and suffering without stopping or the one who intentionally gives false hope, then injures more, and then just abandons?”

“The beautiful has but one type, the ugly has a thousand. The fact is that the beautiful, humanly speaking, is merely form considered in its simplest aspect, in its most perfect symmetry, in its most entire harmony with our make-up. Thus the ensemble that it offers us is always complete, but restricted like ourselves. What we call the ugly, on the contrary, is a detail of a great whole which eludes us, and which is in harmony, not with man but with all creation. That is why it constantly presents itself to us in new but incomplete aspects...”