“Just try to suppose that I may not know how to behave with dignity. That is, perhaps I'm a dignified man, but I don't know how to behave with dignity. Do you understand that it may be so? All Russians are that way, and you know why? Because Russians are too richly and multifariously endowed to be able to find a decent form for themselves very quickly. It's a matter of form. For the most part, we Russians are so richly endowed that it takes genius for us to find a decent form. Well, but most often there is no genius, because generally it rarely occurs. It's only the French, and perhaps some few other Europeans, who have so well-defined a form that one can look extremely dignified and yet be a most undignified man. That's why form means so much to them. A Frenchman can suffer an insult, a real, heartfelt insult, and not wince, but a flick on the nose he won't suffer for anything, because it's a violation of the accepted and time-honored form of decency. That's why our young ladies fall so much for Frenchmen, because they have good form. In my opinion, however, there's no form there, but only a rooster, le coq gaulois. However, that I cannot understand, I'm not a woman. Maybe roosters are fine. And generally I'm driveling, and you don't stop me. Stop me more often; when I talk with you, I want to say everything, everything, everything. I lose all form. I even agree that I have not only no form, but also no merits. I announce that to you. I don't even care about any merits. Everything in me has come to a stop now. You yourself know why. I don't have a single human thought in my head. For a long time I haven't known what's going on in the world, either in Russia or here. I went through Dresden and don't remember what Dresden is like. You know yourself what has swallowed me up. Since I have no hope and am a zero in your eyes, I say outright: I see only you everywhere, and the rest makes no difference to me. Why and how I love you--I don't know. Do you know, maybe you're not good at all? Imagine, I don't even know whether you're good or not, or even good-looking? Your heart probably isn't good; your mind isn't noble; that may very well be.”

“I don't see the use of reading the same thing over and over again,' said Phillip. 'That's only a laborious form of idleness.'But are you under the impression that you have so great a mind that you can understand the most profound writer at a first reading?'I don't want to understand him, I'm not a critic. I'm not interested in him for his sake but for mine.'Why do you read then?'Partly for pleasure, because it's a habit and I'm just as uncomfortable if I don't read as if I don't smoke, and partly to know myself. When I read a book I seem to read it with my eyes only, but now and then I come across a passage, perhaps only a phrase, which has a meaning for me, and it becomes part of me; I've got out of the book all that's any use to me and I can't get anythning more if I read it a dozen times. ...”

“I made promises to you that I'm not sure I can keep. None of it has anything to do with you. It's just that I don't know what to do now. You must be thinking what a rotten person I am. Well, believe me, I'm thinking the same thing. I don't know how this happened or why. Maybe I can get over it. Do you think you can wait—because I don't want you to stop loving me. I keep remembering us and how it was. I don't want to hurt you … not ever …”

“The cleaning woman could contain herself no longer, As far as I'm concerned, that's the boat for me, And who are you, asked the man, Don't you remember me, No, I don't, I'm the cleaning woman, Cleaning what, The king's palace, The woman who opened the door for petitions, The very same, And why aren't you back at the king's palace cleaning and opening doors, Because the doors I really wanted to open have already been opened and because, from now on, I will only clean boats, So you want to go with me in search of the unknown island, I left the palace by the door of decisions, In that case, go and have a look at the caravel, after all this time, it must be in need of a good wash, but watch out for the seagulls, they're not to be trusted, Don't you want to come with me and see what your boat is like inside, You said it was your boat, Sorry about that, I only said it because I liked it, Liking is probably the best form of ownership, and ownership the worst form of liking.”

“You come to work every day but you hardly get to know anyone. I don't even know the names of half the people I see in the elevators. They say the company is a big family, but I don't know them. And even the people I do, like you two, and Elizabeth, and Roger - do I really? I mean, I like you guys, but we only ever talk about work. When I'm out with friends, or at home, I never talk about work. The other day, I tried to explain to my sister why it's such a huge deal that Elizabeth ate Roger's donut, and she thought I was insane. And you know what, I agreed with her. At home I couldn't even think why it mattered. Because I'm a different person at home. When I leave this place at night, I can feel myself changing. Like shifting gears in my head. And you guys don't know that; you just know what I'm like here, which is terrible, because I think I'm better away from work. I don't even like who I am here. Is that just me? Or is everyone different when they come to work? If they are, then what are they really like? How can we ever know? All we know are the Work People.”

“Writing is something that you don't know how to do. You sit down and it's something that happens, or it may not happen. So, how can you teach anybody how to write? It's beyond me, because you yourself don't even know if you're going to be able to. I'm always worried, well, you know, every time I go upstairs with my wine bottle. Sometimes I'll sit at that typewriter for fifteen minutes, you know. I don't go up there to write. The typewriter's up there. If it doesn't start moving, I say, well this could be the night that I hit the dust.”