“The challenge of good men is not to thwart change, but to mold it as it comes, so that it may benefit rather than destroy.”

“Greetings again, dear reader! So we've come to the third book in the James Potter series, and things are about to change pretty dramatically. Are you prepared? I'd advise you to keep your wits and wands at the ready as we embark on this journey.”

“You’ll never make sense of his notes. You just have to listen to his lecture,” Graham whispered confidentially. “It’s a challenge, but the good news is that he’s been giving the same tests for forty years. The answers are carved right into the tops of the desks. See?”

“The earth was quiet around him, but alive. He felt it through the soles of his feet when he walked. The vibrancy of the forest streamed into him, strengthening him. But there was less of it than there should be. The world had changed, and was still changing. It was being tamed, losing its feral wildness and strength. Alongside it, his power was dimming as well. He was still unmatched, but there were blind spots in his communion with the earth, and those blind spots were growing, shutting him off bit by bit, reducing him. The realms of men were expanding, scouring the earth, parsing it into meaningless plots and fields, breaking up the magic polarities of the wilderness... That which made him so powerful, his connection to the earth, was also becoming his only weakness. In a cold rage, he walked. As he passed, the trees spoke to him, but even the woodsy voices of the naiads and the dryads was dimming. Their echo was confused and broken, divided.”

“Phew,” Zane muttered as James plopped down next to him and reached for the last piece of toast. “These little waiters of yours may be weird-lookin’ buggers, but they know how to make a good cup of coffee.”

“Confused you may be, but uncertain you are not.”

“You painted all those characters into the paintings all over the school, and every one of them is a portrait of you, but in disguise. That’s how you’ve been watching us. You spread yourself out through all those paintings. And since you are the original artist, nobody else can ever destroy the portraits. It was your way of assuring you could always keep an eye on things, even after death.”