“An ash-gray dog with a white blaze on its forehead burst onto the rough terrain of the market on the first Sunday in December, knocked down tables of fried food, overturned Indians' stalls and lottery kiosks, and bit four people who happened to cross its path.”

“Each thing, just by looking at it, aroused in me an irresistible longing to write so I would not die. I had suffered this on other occasions, but only on that morning did I recognize it as a crisis of inspiration, that word, abominable but so real, that demolishes everything in its path in order to reach its ashes in time.”

“...they enjoyed the miracle of loving each other as much at the table as in bed, and they grew to be so happy that even when they were two worn-out old people they kept on blooming like children and playing together like dogs.”

“I told her about my life, I read into her ear the first drafts of my Sunday columns in which, without my saying so, she and she alone was present.”

“Aureliano Segundo was deep in the reading of a book. Although it had no cover and the title did not appear anywhere, the boy enjoyed the story of a woman who sat at a table and ate nothing but kernels of rice, which she picked up with a pin, and the story of the fisherman who borrowed a weight for his net from a neighbor and when he gave him a fish in payment later it had a diamond in its stomach, and the one about the lamp that fulfilled wishes and about flying carpets. Surprised, he asked Ursula if all that was true and she answered him that it was, that many years ago the gypsies had brought magic lamps and flying mats to Macondo."What's happening," she sighed, "is that the world is slowly coming to an end and those things don't come here any more.”

“It was the first time in a half century that they had been so close and had enough time to look at each other with some serenity and they had seen each other for what they were: two old people, ambushed by death, who had nothing in common except the mercy of an ephemeral past that was no longer theirs but belonged to two young people who had vanished and who could have been their grandchildren.”

“In the plenitude of their relationship, Florentina Ariza asked himself which of the two was love: the turbulent bed or the peaceful Sunday afternoons, and Sara Noriega calmed him with the simple argument that love was everything they did naked. She said, 'Spiritual love from the waist up and physical love from the waist down.”