“Aureliano not only understood by then, he also lived his brother’s experiences as something of his own, for on one occasion when the latter was explaining in great detail the mechanism of love, he interrupted him to ask: “What does it feel like?” José Arcadio gave an immediate reply: “It’s like an earthquake.”

“He feels, as he sometimes does, as most people must, a presence in the room, what he can only think of as his and Rebecca's living ghosts, the amalgamation of their dreams and their breathing, their smells. He does not believe in ghosts, but he believes in...something. Something viable, something living, that's surprised when he wakes at this hour, that's neither glad nor sorry to see him awake but that recognizes the fact, because it has been interrupted in its nocturnal inchoate musings.”

“No man knows till he experiences it, what it is like to feel his own life-blood drawn away into the woman he loves.”

“Both described at the same time how it was always March there and always Monday, and then they understood that José Arcadio Buendía was not as crazy as the family said, but that he was the only one who had enough lucidity to sense the truth of the fact that time also stumbled and had accidents and could therefore splinter and leave an eternalized fragment in a room.”

“You mean that it’s not only what he does that makes him dangerous, but also what he feels justified in doing?”

“We took a bus to the nearby monastery of one of the last great Tang dynasty Chan masters, Yun-men. Yun-men was known for his pithy “one word” Zen. When asked “What is the highest teaching of the Buddha?” he replied: “An appropriate statement.” On another occasion, he answered: “Cake.” I admired his directness.”