“The captain gave the order to fire. Arcadio barely had time to put out his chest and raise his head, not understanding where the hot liquid that burned his thighs was pouring from.”

“Aureliano not only understood by then, he also lived his brother’s experiences as something of his own, for on one occasion when the latter was explaining in great detail the mechanism of love, he interrupted him to ask: “What does it feel like?” José Arcadio gave an immediate reply: “It’s like an earthquake.”

“[...] not knowing what he was doing because he did not know where his feet were or where his head was, or whose feet or whose head, and feeling that he could no longer resist the glacial rumbling of his kidneys and the air of his intestines, and fear, and the bewildered anxiety to flee and at the same time stay forever in that exasperated silence and that fearful solitude.”

“She asked him to come and see her that night. He agreed, in order to get away, knowing that he was incapable of going. But that night, in his burning bed, he understood that he had to go see her, even if he were not capable. He got dressed by feel, listening in the dark to his brother's calm breathing, the dry cough of his father in the next room, the asthma of the hens in the courtyard, the buzz of the mosquitoes, the beating of his heart, and the inordinate bustle of a world that he had not noticed until then, and he went out in the sleeping street.”

“For the city, his city, stood unchanging on the edge of time: the same burning dry city of his nocturnal terrors and the solitary pleasures of puberty, where flowers rusted and salt corroded, where nothing had happened for four centuries except a slow aging among withered laurels and putrefying swamps. In winter sudden devastating downpours flooded the latrines and turned the streets into sickening bogs. In summer an invisible dust as harsh as red-hot chalk was blown into even the best-protected corners of the imagination by mad winds that took the roofs off the houses and carried away children through the air.”

“From that time on the parish priest began to show signs of senility that would lead him to say years later that the devil had probably won his rebellion against God, and that he was the one who sat on the heavenly throne, without revealing his true identity in order to trap the unwary.”

“[The captain] looked at Florentino Ariza, his invincible power, his intrepid love and was overwhelmed by the belated suspicion that it is life, more than death, that has no limits.”